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9781487506667

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Poetry on Stage adopts an interdisciplinary outlook that produces keen analyses that revolve around the issue of representation, mimesis and the canon of naturalism/realism, language and ideology, language and commodification, the body and orality, the function of the script and the role of the spectator, and literature and social-political commitment. Gianluca Rizzo displays an excellent knowledge of the theoretical issues raised by the neo-avant-garde and its theatre production, as well as diligent archival work and considerable critical skills. The result is a major contribution to this field of study. - John Picchione, York University, author of The New Avant-Garde in Italy: Theoretical Debate and Poetic Practices With meticulous research and outstanding archival work, Poetry on Stage displays a robust and in-depth knowledge of the history of the neo-avant-garde, and a deep understanding of its theoretical implications. Poetry on Stage outlines how the theatrical and literary movements were interconnected, and how they stood against a common 'enemy, ' traditional Italian theatre. - Paolo Chirumbolo, College of Humanities and Social Sciences, Louisiana State University

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Gianluca Rizzo is the Paul D. and Marilyn Paganucci Associate Professor of Italian Language and Literature at Colby College.

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