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Author:   Arturo Mora-Rioja
Publisher:   Springer International Publishing AG
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2023
Weight:   0.575kg
ISBN:  

9783031291821

ISBN 10:   3031291824
Pages:   331
Publication Date:   06 May 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Preface Acknowledgements 1.     Introduction: Why Poetry and Metal Music 1.1.   On Metal Music and Metal Studies 1.2.   Poetry as Music 1.3.   Metal Music Embraces Poetry 1.4.   On Metal Music’s Audience and Themes 1.5.   On Metal Music and Its Subgenres 1.6.   Defining a Transformation Taxonomy 2.     How Poetry Becomes Metal Music: Transformation Categories 3.     “Spirits of the Dead”: Metal Music and the Poetry of Edgar Allan Poe 3.1.   Metal Music and Poe’s Cultural Legacy 3.2.   Transformations of Poe’s Poetry into Metal Music 3.3.   “The Raven” and Popular (Metal) Culture 3.4.   Transformations of “The Raven” into Metal Music 3.5.   Assessing the Relevance of Poe’s Poetry in Metal Music 4.     “Myself Am Hell”: Metal Music and John Milton’s Paradise Lost 4.1.   On Paradise Lost and Its Cultural Implications 4.2.   Metal Music and Paradise Lost’s Cultural Legacy 4.3.   Transformations of Paradise Lost into Metal Music 4.4.   Full Album Transformations of Paradise Lost 4.5.   Assessing the Relevance of Paradise Lost in Metal Music 5.     “We Are the Dead”: Metal Music and the War Poets 5.1.   Metal Music and the War Poets’ Cultural Legacy 5.2.   Transformations of the War Poets into Metal Music 5.3.   Assessing the Relevance of the War Poets in Metal Music 6.     Assessing the Relevance of Poetry in English in Metal Music 6.1.   Analysing the Data 6.2.   Conclusions [1] MORA-RIOJA, Arturo (2021). “’We Are the Dead’: The War Poets, Metal Music and Chaos Control”, Metal Music Studies 7.2: 299-315.

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Author Information

Arturo Mora-Rioja is associate professor at KEA (Copenhagen School of Design and Technology). He holds a PhD in English Philology (UNED, 2021) and a BSc in Computer Science Engineering (Universidad Politécnica de Madrid, 1996). A performing and recording musician for over twenty-five years, his main research interest lies in adaptation, appropriation, and the intersection between literature and music. 

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