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Author:   Andrea Brady (Queen Mary University of London)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Weight:   0.706kg
ISBN:  

9781108964937

ISBN 10:   1108964931
Pages:   438
Publication Date:   28 August 2025
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

Introduction: The Fetters of Verse; Part I. Lyric Cells: 1. The Music of Fetters: Thomas Wyatt and the Beginnings of English Carceral Lyric; 2. The Ligature: Rob Halpern's Common Place and the Limits of Desire; 3. Each in Their Separate Hell: Solitary Confinement in the Long Nineteenth Century; 4. Hours of Lead: The Modern US Prison, Segregation and Solidarity; Part II. The Songs of Slavery: 3. Bind Me – I Still Can Sing: Emily Dickinson at the Boundaries of Lyric; 4. The Story that Cannot Be Told: M. Nourbese Philip's Zong!, from Form to Performance; 5. The Sound Came from Everywhere and Nowhere: African-American Song as Lyric Work; 6. Singing at the Window: New Criticism and the Evolution of Lyric; Part III. Pleasures and Ornaments: 9. A New Made Wound: Sadomasochistic Triumphs and Missing Feet in Ovid's Elegies; 10. The Ecstatic Lash of the Poetic Line: Swinburne, Hopkins, and the Pleasures of Bondage; 11. Soft Architecture: Lisa Robertson and Bondage as Ornament; 12. Silken Fetters: Phillis Wheatley and Ornament as Bondage.

Reviews

'… monumental …' John Hawke, Australian Book Review 'capacious, ambitious, judgmental, and obviously valuable.' Stephanie Burt, Critical Inquiry '… Brady offers a much-needed re-evaluation of the now common understanding of lyric as an expression of human freedom and transcendence.' Sarah Dowling, The Year's Work in Critical and Cultural Theory 'This is such a superb and invigorating collection, breaking ground to discover the figure of our dream of lyrics song in all its lavish beauty, primitivist rhetoric and longing for ancient home in the language of the Is eye seeing itself to abstraction.' Adam Piette, Blackbox Manifold

Author Information

Andrea Brady is Professor of Poetry, School of English and Drama at Queen Mary University of London. Her books include English Funerary Elegy in the Seventeenth Century (2006), The Blue Split Compartments (2021), The Strong Room (2016), Cut from the Rushes (2013), Mutability (2012), and Wildfire (2010). She has held fellowships from the Leverhulme Trust and the National Humanities Center, and performed throughout Europe, Canada, the United States, Lebanon, and Chile.

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