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OverviewAll four figures in this volume have been canonized as central to ‘stage-centred’ Shakespearean scholarship and stage practice. From William Poel’s reproductions of early modern stages in the late nineteenth century to Sam Wanamaker’s reconstruction of the Globe on London’s South Bank, they all viewed Shakespeare’s plays as being enmeshed in the social and historical dynamics of theatremaking and theatregoing. The volume considers how their attempts to recapture early modern performance conditions can be considered progressive. Full Product DetailsAuthor: Professor Cary M. Mazer (University of Pennsylvania, USA)Publisher: Bloomsbury Publishing PLC Imprint: The Arden Shakespeare Volume: Volume XV Dimensions: Width: 15.60cm , Height: 1.60cm , Length: 23.00cm Weight: 0.409kg ISBN: 9781474253840ISBN 10: 1474253849 Pages: 264 Publication Date: 24 September 2015 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsSeries Preface (Peter Holland, University of Notre Dame, USA and Adrian Poole, University of Cambridge, UK) Introduction (Cary M. Mazer, University of Pennsylvania, USA) 1. William Poel (Marion O'Connor, University of Kent, UK) 2. H. Granville Barker (Cary M. Mazer, University of Pennsylvania, USA) 3. Tyrone Guthrie (Robert Shaughnessy, University of Kent, UK) 4. Sam Wanamaker (Paul Prescott, University of Warwick, UK) Endnotes Selected Bibliography IndexReviewsAuthor InformationCary M. Mazer is Associate Professor of Theatre Arts and English at the University of Pennsylvania, USA. Tab Content 6Author Website:Countries AvailableAll regions |