Overview

Edgar Allan Poe often set the scenes of his stories and poems with music: angels have the heartstrings of lutes, spirits dance, and women speak with melodic voices. These musical ideas appear to mimic the ways other authors, particularly Romanticists, used music in their works to represent a spiritual ideal artistic realm. Music brought forth the otherworldly, and spoke to the possible transcendence of the human spirit. Yet, Poe's music differs from these Romantic notions in ways that, although not immediately perceptible in each individual instance, cohere to invert Romantic idealism. For Poe, artistic transcendence is impossible, the metaphysical realm is unreachable, and humans cannot perceive anything but their own failure of spirit. In this book, I show how we can look at Poe's poems and stories on the whole to discover this, and in doing so, unpack some of Poe's mysticism along the way.

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9781611462043

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Reviews

Charity McAdams' fascinating, thorough, and luminous book is the key to understanding Poe's poetic idealism. That idealism conceives of itself as fundamentally musical. So we need to understand what music meant to Poe. This book gives us that understanding, by carefully mapping, for the first time, the relationship between Poe's words, the music he might have heard, and the music he imagined beyond the reach of our ears. It is a unique contribution both to Poe scholarship, and to the study of the relationship between poetry and music in the 19th century.--Peter Dayan, Universities of Edinburgh and Aalborg

Charity McAdams' fascinating, thorough, and luminous book is the key to understanding Poe's poetic idealism. That idealism conceives of itself as fundamentally musical. So we need to understand what music meant to Poe. This book gives us that understanding, by carefully mapping, for the first time, the relationship between Poe's words, the music he might have heard, and the music he imagined beyond the reach of our ears. It is a unique contribution both to Poe scholarship, and to the study of the relationship between poetry and music in the 19th century. -- Peter Dayan, Universities of Edinburgh and Aalborg

Author Information

Charity McAdams is professor in the Barrett Honors College at Arizona State University.

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