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OverviewFull Product DetailsAuthor: Tim Fitzpatrick , Dr. Helen OstovichPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Weight: 0.725kg ISBN: 9781409428275ISBN 10: 1409428273 Pages: 328 Publication Date: 28 October 2011 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews'Playwright, Space, and Place in Early Modern Performance makes a substantial contribution to early modern theatrical history. It is carefully argued and meticulously documented. It will undoubtedly change the way that scholars and theatrical practitioners think about early modern staging and stagecraft.' Evelyn Tribble, University of Otago, author of Cognition in the Globe: Memory and Attention in Shakespeare's Theatre '... Playwright, Space and Place in Early Modern Performance is an extremely useful study that invites us to consider the complex and exciting ways in which the physical characteristics of stages during Shakespeare's time both reflected and dictated the playwrights' ability to guide their audience's attention through a constantly shifting maze of geographical locations. Scholars, directors, actors, set designers, and others should find a great deal of helpful information in this thoroughly researched and carefully written book.' Comparative Drama '... [Fitzpatrick] conducts an original and interesting inquiry into the spatial conventions of the early modern playhouse.' Around the Globe 'Fitzpatrick assembles his copious evidence intelligently and cogently, providing tables, appendices and simple but well-devised diagrams. Though deeply interested in the physical reality of the theatre, this is not simply a book about theatre design: it is a book about how playwrights tell stories in space and time. Clear in its aims but far-reaching in its ambitions, it makes a significant contribution to the study of the early modern stage.' Theatre Research International '... presents some intriguing speculation surrounding spatial signification on the early modern stage...' Renaissance Quarterly 'Tim Fitzpatrick's Playwright, Space and Place in Early Modern Performance: Shakespeare and Company is a remarkably thorough scholarly work and the author's breadth of knowledge is impressive. It is based on well-established methodology, adopting which one can acquire the means of deciphering the hidden stage directions of early modern dramatic texts.' Sixteenth Century Journal 'Fitzpatrick demonstrates that this relational spatial system both constitutes a conceptual resource exploited by playwright and players and establishes for the audience a horizon of expectations.' Studies in English Literature 1500-1900 'Playwright, Space, and Place in Early Modern Performance makes a substantial contribution to early modern theatrical history. It is carefully argued and meticulously documented. It will undoubtedly change the way that scholars and theatrical practitioners think about early modern staging and stagecraft.' Evelyn Tribble, University of Otago, author of Cognition in the Globe: Memory and Attention in Shakespeare's Theatre '... Playwright, Space and Place in Early Modern Performance is an extremely useful study that invites us to consider the complex and exciting ways in which the physical characteristics of stages during Shakespeare's time both reflected and dictated the playwrights' ability to guide their audience's attention through a constantly shifting maze of geographical locations. Scholars, directors, actors, set designers, and others should find a great deal of helpful information in this thoroughly researched and carefully written book.' Comparative Drama '... [Fitzpatrick] conducts an original and interesting inquiry into the spatial conventions of the early modern playhouse.' Around the Globe 'Fitzpatrick assembles his copious evidence intelligently and cogently, providing tables, appendices and simple but well-devised diagrams. Though deeply interested in the physical reality of the theatre, this is not simply a book about theatre design: it is a book about how playwrights tell stories in space and time. Clear in its aims but far-reaching in its ambitions, it makes a significant contribution to the study of the early modern stage.' Theatre Research International '... presents some intriguing speculation surrounding spatial signification on the early modern stage...' Renaissance Quarterly 'Tim Fitzpatrick's Playwright, Space and Place in Early Modern Performance: Shakespeare and Company is a remarkably thorough scholarly work and the author's breadth of knowledge is impressive. It is based on well-established methodology, adopting which one Author InformationTim Fitzpatrick co-founded the Department of Performance Studies at the University of Sydney. His research concerns the interplay between oral and textual elements in early modern performance: in the Commedia dell'Arte and in Elizabethan theatre. 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