Playing at Home: The House in Contemporary Art

Author:   Gill Perry
Publisher:   Reaktion Books
ISBN:  

9781780231808


Pages:   132
Publication Date:   01 November 2013
Format:   Paperback
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Playing at Home: The House in Contemporary Art


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Full Product Details

Author:   Gill Perry
Publisher:   Reaktion Books
Imprint:   Reaktion Books
Dimensions:   Width: 20.00cm , Height: 2.30cm , Length: 15.00cm
Weight:   0.499kg
ISBN:  

9781780231808


ISBN 10:   1780231806
Pages:   132
Publication Date:   01 November 2013
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Reviews

"""Gill Perry's fascinating book considers what makes a house a home and why artists are repeatedly drawn to it as a motif. Chapters look at particular types of houses, from those that are haunted to beachside retreats and caravans. Rachel Whiteread's House (1993) and Michael Landy's Semi-Detached (2004) make appearances, and this well-illustrated volume goes on to include a wide range of art from around the globe."" -- ""Art Quarterly"" ""Perry has written a scholarly, readable, and timely survey of an important theme. This book reminds us of the capacity of art to deepen our understanding of a contested, contentious concept.""-- ""Art Newspaper"" ""A book that has readers demanding more is always praiseworthy, and Gil Perry's ability to read a work of art, and explain it accessibly, while still honouring the artist's often complex intentions, is both rare and valuable. For this alone Playing at Home is welcome.""-- ""Times Literary Supplement"""


Gill Perry's fascinating book considers what makes a house a home and why artists are repeatedly drawn to it as a motif. Chapters look at particular types of houses, from those that are haunted to beachside retreats and caravans. Rachel Whiteread's House (1993) and Michael Landy's Semi-Detached (2004) make appearances, and this well-illustrated volume goes on to include a wide range of art from around the globe. -- Art Quarterly Perry has written a scholarly, readable, and timely survey of an important theme. This book reminds us of the capacity of art to deepen our understanding of a contested, contentious concept. -- Art Newspaper A book that has readers demanding more is always praiseworthy, and Gil Perry's ability to read a work of art, and explain it accessibly, while still honouring the artist's often complex intentions, is both rare and valuable. For this alone Playing at Home is welcome. -- Times Literary Supplement


Gill Perry's fascinating book considers what makes a house a home and why artists are repeatedly drawn to it as a motif. Chapters look at particular types of houses, from those that are haunted to beachside retreats and caravans. Rachel Whiteread's House (1993) and Michael Landy's Semi-Detached (2004) make appearances, and this well-illustrated volume goes on to include a wide range of art from around the globe. --Art Quarterly Perry has written a scholarly, readable, and timely survey of an important theme. This book reminds us of the capacity of art to deepen our understanding of a contested, contentious concept. --Art Newspaper A book that has readers demanding more is always praiseworthy, and Gil Perry's ability to read a work of art, and explain it accessibly, while still honouring the artist's often complex intentions, is both rare and valuable. For this alone Playing at Home is welcome. --Times Literary Supplement


Author Information

Gill Perry is Professor of Art History at the Open University, UK. Her books include Women Artists and the Parisian Avant-Garde (1995), Spectacular Flirtations: Viewing the Actress in British Art and Theatre, 1768–1820 (2007) and Themes in Contemporary Art (editor, 2004).

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