Overview

A detailed historical look at how copyright was negotiated and protected by authors, publishers, and the state in late imperial and modern China In Pirates and Publishers, Fei-Hsien Wang reveals the unknown social and cultural history of copyright in China from the 1890s through the 1950s, a time of profound sociopolitical changes. Wang draws on

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9780691202686

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Reviews

"""Winner of the Peter Gonville Stein Book Award, American Society for Legal History"" ""Runner-Up Commendation for the DeLong Book History Book Prize, Society for the History of Authorship, Reading, and Publishing"" ""Wang’s book . . . is [an] equally fundamental (soon to be called seminal, I believe) piece of literature as Alford’s title. Wang’s monograph dug into extreme depth.""---Péter Mezei, Journal of Intellectual Property Law & Practice ""Wang’s book adds substantially both to long-standing and more recent general historical scholarship on modern China. . . . Wang uses her archival and published sources to make original, insightful, even brilliant arguments that, while clearly located within recognizable lineages of empirical social, cultural, and legal historiography, also extend that historiography in innovative and important ways. Wang writes vigorous yet nuanced jargon-free narrative and analytical prose. She knows how to tell a story. Her writing in this book will undoubtedly appeal to both scholars and laymen.""---Christopher A. Reed, Journal of Chinese History ""[A] meticulously researched and highly readable new book. . . . There is a widespread general perception, even among specialists, that copyright and related intellectual property rights have always been an awkward alien import in China and enjoy no genuine social recognition or support. Pirates and Publishers makes a strong and convincing case for revising the latter notion.""---Michel Hockx, Journal of Asian Studies ""What Wang does offer, through both standard resources and a unique cross-referencing of Booksellers Guild records with the Shanghai Municipal Archives, is forgotten slice of China’s economic and cultural history, largely presented here—at least by the standards of copyright law—as a rollicking read.""---Ken Smith, Asian Review of Books ""Ambitious and insightful.""---Nicolai Volland, East Asian Publishing and Society ""Ultimately, Wang’s book is a fine work of scholarship that persuasively demonstrates that, beyond the narrow confines of the formal law, there was a vast and socioeconomically significant dimension of institutional agency in early twentieth-century Chinese copyright practices. The book introduces much social complexity and nuance to a topic that has all too often lacked both. ""---Shyamkrishna Balganesh & Taisu Zhang, Harvard Law Review"

Winner of the Peter Gonville Stein Book Award, American Society for Legal History Runner-Up Commendation for the DeLong Book History Book Prize, Society for the History of Authorship, Reading, and Publishing Wang's book . . . is [an] equally fundamental (soon to be called seminal, I believe) piece of literature as Alford's title. Wang's monograph dug into extreme depth. ---Peter Mezei, Journal of Intellectual Property Law & Practice Wang's book adds substantially both to long-standing and more recent general historical scholarship on modern China. . . . Wang uses her archival and published sources to make original, insightful, even brilliant arguments that, while clearly located within recognizable lineages of empirical social, cultural, and legal historiography, also extend that historiography in innovative and important ways. Wang writes vigorous yet nuanced jargon-free narrative and analytical prose. She knows how to tell a story. Her writing in this book will undoubtedly appeal to both scholars and laymen. ---Christopher A. Reed, Journal of Chinese History [A] meticulously researched and highly readable new book. . . . There is a widespread general perception, even among specialists, that copyright and related intellectual property rights have always been an awkward alien import in China and enjoy no genuine social recognition or support. Pirates and Publishers makes a strong and convincing case for revising the latter notion. ---Michel Hockx, Journal of Asian Studies What Wang does offer, through both standard resources and a unique cross-referencing of Booksellers Guild records with the Shanghai Municipal Archives, is forgotten slice of China's economic and cultural history, largely presented here-at least by the standards of copyright law-as a rollicking read. ---Ken Smith, Asian Review of Books Ambitious and insightful. ---Nicolai Volland, East Asian Publishing and Society Ultimately, Wang's book is a fine work of scholarship that persuasively demonstrates that, beyond the narrow confines of the formal law, there was a vast and socioeconomically significant dimension of institutional agency in early twentieth-century Chinese copyright practices. The book introduces much social complexity and nuance to a topic that has all too often lacked both. ---Shyamkrishna Balganesh & Taisu Zhang, Harvard Law Review

Author Information

Fei-Hsien Wang is assistant professor of history at Indiana University, Bloomington. She is also a research associate at the Centre for History and Economics at the University of Cambridge.

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