Pierre Macherey and the Case of Literary Production

Author:   Warren Montag ,  Audrey Wasser ,  Pierre Macherey ,  Nathan Brown
Publisher:   Northwestern University Press
ISBN:  

9780810145115


Pages:   232
Publication Date:   30 August 2022
Format:   Paperback
Availability:   In Print   Availability explained
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Pierre Macherey and the Case of Literary Production


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Full Product Details

Author:   Warren Montag ,  Audrey Wasser ,  Pierre Macherey ,  Nathan Brown
Publisher:   Northwestern University Press
Imprint:   Northwestern University Press
Dimensions:   Width: 14.90cm , Height: 1.50cm , Length: 22.60cm
Weight:   0.152kg
ISBN:  

9780810145115


ISBN 10:   0810145111
Pages:   232
Publication Date:   30 August 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Preface - Warren Montag and Audrey Wasser Postface to Pour une thÉorie de la production littÉraire (2014) - Pierre Macherey 1. Why Read, Macherey? - Audrey Wasser 2. Spoken and Unspoken - Ellen Rooney 3. Baudelaire’s Shadow: On Poetic Determination - Nathan Brown 4. What is Materialist Analysis? Pierre Macherey’s Spinozist Epistemology - Nick Nesbitt 5. Blackness: N’est Pas? - David Marriott 6. What Do We Mean When We Speak of the Surface of a Text? - Warren Montag 7. Reading Althusser - Pierre Macherey 8. Between Literature and Philosophy: An Interview with Pierre Macherey - Pierre Macherey and Joseph Serrano Bibliography of Works by Pierre Macherey Notes Index

Reviews

With its exquisitely written preface and stimulating contributions by Macherey and other scholars, this collection brings long overdue attention to the neglected and misunderstood elements of Macherey's work, making that work a timely rejoinder to debates on a range of vital issues: reading and discursivity, the relationship between literature and philosophy, the politics of form and formalism, and the legacy of the Althusserian project. At a time when anti-intellectualism holds thought in its sway, in academe as elsewhere, the interventionist import of this volume cannot be overstated. --Rey Chow, author of A Face Drawn in Sand: Humanistic Inquiry and Foucault in the Present


Bringing together a stellar cast of writers and scholars, this collection offers a most eloquent testimony to the lasting enigma of Pierre Macherey's brilliant if also frequently misread first book, A Theory of Literary Production. Audrey Wasser and Warren Montag prove the continued relevance of Macherey's proposal in the context of French Marxism and its creative dialogue with psychoanalysis, the history of the sciences, and the critique of ideology. --Bruno Bosteels, author of The Actuality of Communism With its exquisitely written preface and stimulating contributions by Macherey and other scholars, this collection brings long-overdue attention to the neglected and misunderstood elements of Macherey's work, making that work a timely rejoinder to debates on a range of vital issues: reading and discursivity, the relationship between literature and philosophy, the politics of form and formalism, and the legacy of the Althusserian project. At a time when anti-intellectualism holds thought in its sway, in academe as elsewhere, the interventionist import of this volume cannot be overstated. --Rey Chow, author of A Face Drawn in Sand: Humanistic Inquiry and Foucault in the Present


Author Information

Warren Montag is the Louis M. Brown Family Professor of Literature at Occidental College. His most recent books include Althusser and His Contemporaries and The Other Adam Smith. Montag is the editor of Décalages and the translator of Étienne Balibar’s Identity and Difference: John Locke and the Invention of Consciousness. Audrey Wasser is an associate professor of French at Miami University, Ohio. She is the author of The Work of Difference: Modernism, Romanticism, and the Production of Literary Form.

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