Overview

The Armenian contribution to Ottoman photography is supposedly well known, with histories documenting the famous Ottoman Armenian-run studios of the imperial capital that produced Orientalist visions for tourists and images of modernity for a domestic elite. Neglected, however, have been the practitioners of the eastern provinces where the majority of Ottoman Armenians were to be found, with the result that their role in the medium has been obscured and wider Armenian history and experience distorted. Photography in the Ottoman East was grounded in very different concerns, with the work of studios rooted in the seismic social, political and cultural shifts that reshaped the region and Armenian lives during the empire’s last decades. The first study of its kind, this book examines photographic activity in three sites on the Armenian plateau: Erzurum, Harput and Van. Arguing that local photographic practices were marked by the dominant activities and movements of these places, it describes a medium bound up in educational endeavours, mass migration and revolutionary politics. The camera both responded to and became the instrument of these phenomena. Light is shone on previously unknown practitioners and, more vitally, a perspective gained on the communities that they served. The book suggests that by contemplating the ways in which photographs were made, used, circulated and seen, we might form a picture of the Ottoman Armenian world.

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9780755600380

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Reviews

Picturing the Ottoman Armenian World powerfully fills the most glaring lacunae in photography studies of the Middle East: a critical and rigorous deep dive into the central role of the Armenians in the history of Armenians in the history of Ottoman photography. Low gifts us a scrupulous and erudite social and art history of Armenian photography that promises not only to change how we think of Ottoman visual culture but also shakes how we understand the history of photography writ large. --Stephen Sheehi, Wellesley College, USA Low provides a ground-breaking study of photography from a neglected region of the Ottoman Empire. He tells the compelling story of multi-generational Armenian families of photographers, whose work was long believed lost in the 1915 genocide. An important contribution to both the history of photography and the social history of Ottoman Armenians. --Armen T. Marsoobian, Southern Connecticut State University, USA

"""Picturing the Ottoman Armenian World powerfully fills the most glaring lacunae in photography studies of the Middle East: a critical and rigorous deep dive into the central role of the Armenians in the history of Armenians in the history of Ottoman photography. Low gifts us a scrupulous and erudite social and art history of Armenian photography that promises not only to change how we think of Ottoman visual culture but also shakes how we understand the history of photography writ large."" * Stephen Sheehi, Wellesley College, USA * “Low provides a ground-breaking study of photography from a neglected region of the Ottoman Empire. He tells the compelling story of multi-generational Armenian families of photographers, whose work was long believed lost in the 1915 genocide. An important contribution to both the history of photography and the social history of Ottoman Armenians.” * Armen T. Marsoobian, Southern Connecticut State University, USA *"

Author Information

David Low is a photographic historian based in London, UK. He received his PhD from the Courtauld Institute of Art, University of London, UK.

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