Picturing Indians: Native Americans in Film, 1941–1960

Author:   Liza Black
Publisher:   University of Nebraska Press
ISBN:  

9781496232649


Pages:   354
Publication Date:   20 December 2022
Format:   Paperback
Availability:   To order   Availability explained
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Picturing Indians: Native Americans in Film, 1941–1960


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Full Product Details

Author:   Liza Black
Publisher:   University of Nebraska Press
Imprint:   University of Nebraska Press
ISBN:  

9781496232649


ISBN 10:   149623264
Pages:   354
Publication Date:   20 December 2022
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

List of Illustrations Preface Acknowledgments Introduction 1. “Just Like a Snake You’ll Be Crawling in Your Own Shit”: American Indians and White Narcissism 2. “Indians Agree to Perform and Act as Directed”: Urban Indian (and Non-Indian) Actors 3. “Not Desired by You for Photographing”: The Labor of American Indian (and Non-Indian) Extras 4. “White May Be More Than Skin Deep”: Whites in Redface 5. “A Bit Thick”: The Transformation of Indians into Movie Indians 6. “Dig Up a Good Indian Historian”: The Search for Authenticity Epilogue Notes Bibliography Filmography Index

Reviews

This book is necessary reading to anyone interested in studying Native American visual representation. -Steve Pelletier, American Indian Culture and Research Journal In both method and content, this book charts a new movement in Indigenous film studies in particular and film studies in general. It is welcome, indeed. -Jennifer L. Jenkins, Southwestern Historical Quarterly Meticulously researched, this engrossing volume files a deep void in both film studies and Native American history. -Karla Strand, Ms. Magazine Liza Black systematically studies Indian characters in the Hollywood films of the l940s and l950s and shows how film created a single type of Indian for Native and non-Native actors, though the latter often received higher pay. Black disables this construct, and she offers a stunning history of the experiences of Native American actors who worked in the film industry during these years. -Lisbeth Haas, author of Saints and Citizens: Indigenous Histories of Colonial Missions and Mexican California Liza Black's exhaustively researched study of American Indian actors fills a gap in scholarship on Native American performance by focusing on the most influential and damaging period for Hollywood's representations of Native peoples. Highlighting their efforts to make a living in the film industry and negotiate its expectations, Black powerfully demonstrates Native people's survival and agency, as well as the ways popular culture created and abetted narratives that continue to support indigenous erasure and dispossession. -Nicolas G. Rosenthal, author of Reimagining Indian Country: Native American Migration and Identity in Twentieth-Century Los Angeles


Author Information

​Liza Black is a citizen of Cherokee Nation. She is a visiting scholar at the University of California, Los Angeles and an associate professor of history and Native American and Indigenous studies at Indiana University.

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