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OverviewBeginning with the instance in 1912 when Marcel Duchamp wrote in a note to himself, ""No more painting, get a job,"" Thierry de Duve reviews in Pictorial Nominalism the implications of the readymade for art and representation. Arguing that the readymade belongs to that moment in the history of painting when both figuration and the practice of painting become ""impossible,"" de Duve presents a psychoanalytically informed account of the birth of abstraction. Full Product DetailsAuthor: Thierry De Duve , Dana Polan , John RajchmanPublisher: University of Minnesota Press Imprint: University of Minnesota Press Edition: New edition Volume: v. 51 Dimensions: Width: 14.90cm , Height: 3.30cm , Length: 22.90cm Weight: 0.340kg ISBN: 9780816648597ISBN 10: 081664859 Pages: 246 Publication Date: 01 October 2005 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable ![]() The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsReviews"""De Duve offers clear insight into Duchamp's relation to painting and how readymades can be seen as a clear response to problems specific to painting.""-American Book Review" De Duve offers clear insight into Duchamp's relation to painting and how readymades can be seen as a clear response to problems specific to painting. - American Book Review Author InformationThierry de Duve, a native of Belgium, is an art historian.Dana Polan is professor of cinema and comparative literature at the University of Southern California. John Rajchman is professor of art at Columbia. Tab Content 6Author Website:Countries AvailableAll regions |