Picasso's Demoiselles: The Untold Origins of a Modern Masterpiece

Author:   Suzanne Preston Blier
Publisher:   Duke University Press
ISBN:  

9781478000198


Pages:   448
Publication Date:   13 December 2019
Format:   Paperback
Availability:   In Print   Availability explained
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Picasso's Demoiselles: The Untold Origins of a Modern Masterpiece


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Author:   Suzanne Preston Blier
Publisher:   Duke University Press
Imprint:   Duke University Press
Weight:   0.839kg
ISBN:  

9781478000198


ISBN 10:   1478000198
Pages:   448
Publication Date:   13 December 2019
Audience:   General/trade ,  Professional and scholarly ,  General ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Preface  ix Introduction  1 1. Setting, Sources, Titles, and Time  19 2. The Making of a Painting  52 3. Art in the Flesh  81 4. The Sorcerer's Apprentice  111 5. L'Oiseau du Bénin  152 6. The Global Brothel  185 7. Le Bordel Philosophique  222 Conclusions. The Creative Nexus  264 Acknowledgments  297 Sketchbooks: New Dating  300 Chronology  305 List of Illustrations  312 Notes  333 References  365 Index  415

Reviews

Blier offers a wide-ranging account of the genesis, sources, and context for Picasso's influential masterpiece. In both cases it is especially timely and meaningful to have women shaping the conversation. . . . Recommended. Upper-division undergraduates through faculty and professionals. -- E. Baden * Choice * Blier uses a host of techniques including formal analysis, textual analysis, and broader global image culture to dig deep into this one painting. Most exciting is when she points out obvious but overlooked information in widely known documentation, including period photographs of Demoiselles in process that show how Picasso developed the composition. Ultimately, Blier offers a reading thoroughly of our time-one in which women are empowered and time and space compressed. -- Maggie Taft * Booklist *


The book, which features hundreds of illustrations . . . is full of a vast and intriguing array of highways and forays into every possible connection that might suggest itself to construct this argument. As a Black feminist, I found most persuasive Blier's proposition to table the idea of Les demoiselles as a brothel scene and see it, rather, as a reference to the turn-of-the-century fascination with the portrayal of racial types. -- Michele Wallace * Artforum * Blier offers a wide-ranging account of the genesis, sources, and context for Picasso's influential masterpiece. In both cases it is especially timely and meaningful to have women shaping the conversation. . . . Recommended. Upper-division undergraduates through faculty and professionals. -- E. Baden * Choice * Blier uses a host of techniques including formal analysis, textual analysis, and broader global image culture to dig deep into this one painting. Most exciting is when she points out obvious but overlooked information in widely known documentation, including period photographs of Demoiselles in process that show how Picasso developed the composition. Ultimately, Blier offers a reading thoroughly of our time-one in which women are empowered and time and space compressed. -- Maggie Taft * Booklist *


Blier uses a host of techniques including formal analysis, textual analysis, and broader global image culture to dig deep into this one painting. Most exciting is when she points out obvious but overlooked information in widely known documentation, including period photographs of Demoiselles in process that show how Picasso developed the composition. Ultimately, Blier offers a reading thoroughly of our time-one in which women are empowered and time and space compressed. -- Maggie Taft * Booklist *


Author Information

Suzanne Preston Blier is Allen Whitehill Clowes Professor of Fine Arts and of African and African American Studies at Harvard University and the author and editor of numerous books, including Art and Risk in Ancient Yoruba: Ife History, Power, and Identity c. 1300.

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