Piano Time Sight Reading 1

Author:   Pauline Hall ,  Fiona Macardle
Publisher:   Oxford University Press
ISBN:  

9780193727687


Pages:   28
Publication Date:   15 August 1996
Format:   Book
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Piano Time Sight Reading 1


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Overview

Designed to build confidence and ability, the Piano Time Sightreading books are also enormous fun, interspersing lots of short, structured exercises with puzzles and games. The material is simple, imaginative, and clearly laid out. Book 1 presents lots of short tunes in five-finger position, mostly hands separately.

Full Product Details

Author:   Pauline Hall ,  Fiona Macardle
Publisher:   Oxford University Press
Imprint:   Oxford University Press
ISBN:  

9780193727687


ISBN 10:   0193727684
Pages:   28
Publication Date:   15 August 1996
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Book
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Sight reading for pianists can be the subject of many an uninspired publication but this series of three volumes is quite an exception. It describes sight reading as an exploration of the unknown and guides the young player through the pitfalls and things to look for in a consistent and clear format with simple instructions and effective graphics. A little of this with every lesson and your sight reading will be as good as your playing. * Sheet Music, Winter 96 *


Author Information

Pauline Hall graduated from the Royal Academy of Music and then taught in schools and privately. Whilst living and teaching in Harrogate she felt the need for a piano tutor which made learning fun, and which progressed at the pace of her slowest learner. She started by writing little tunes in pupils' notebooks, and these formed the basis of Tunes for Ten Fingers; the Piano Time series developed from this.

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