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Author:   Trinity College London
Publisher:   Trinity College London Press
Imprint:   Trinity College London
ISBN:  

9780857369352

ISBN 10:   0857369350
Pages:   52
Publication Date:   03 August 2020
Audience:   General/trade ,  General
Format:   Book
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

Invention no. 12 in A major (J S Bach); Capriccio in G minor, HWV 483 (Handel); Finale (3rd movt from Sonata in D major, Hob XVI:24) (Haydn); Allegro (1st movt from Sonata in E major) (Martines); Prelude no. 8 (Bullard); Melodie, op. 4 no. 2 (Hensel); Lento (no. 139 from Moods, Impressions and Souvenirs, op. 41) (Fibich); Improvisation (no. 4 from Twelve Virtuoso Studies, op. 46) (MacDowell); Assez modere (no. 1 from Trois mouvements perpetuels) (Poulenc); Struttin' at the Waldorf (no. 3 of Three Little Bites at the Big Apple) (Lane); At Miss Florence's (homage to Robert Schumann) (Earl); Soho (Botterill); Ebook: Allegro (from Suite no. 7 in G minor, HWV 432) (Handel); Ebook: Minuet in D major, K. 355 (Mozart); Ebook: Allegro (1st movt from Sonate, op. 6) (Eberl); Ebook: Etude in A minor, op. 58 no. 6 (Schytte, ed. Snell); Ebook: No. 2 from Kinderstucke, op. 72 (Mendelssohn); Ebook: Fiesta (from Miniatures) (Turina); Ebook: Aftermath (Chanler); Ebook: Study (Harris); Ebook: Sarah (Peter-Horas)

Reviews

Overall, this is one of the most enterprising, original and intriguing selections of music in any grade exam syllabus I can recall! To have Fanny Hensel, Fibich, David Earl and Alan Bullard as bedfellows - not to mention the likes of Philip Lane, Theodore Chanler, Paul Harris, Thomas Peter-Horas, Ludwig Schytte and Anton Eberl - is little short of extraordinary. I freely confess to never having heard the names of some of these fascinating figures, let alone listened to their music! Quite the embarrassment of fascinating riches. Space forbids more than a fleeting mention of some of this colourful material but do check out the post-Schumannesque richness in At Miss Florence's (David Earl) as well as the fast metre changes in Alan Bullard's 8th Prelude from 2017. Clearly Trinity Grade 7 could prove an education for pedagogues as much as for pupils. Murray McLachlan, European Piano Teachers Association, August 2020 ...when it comes to syllabus design that supports educational and musical excellence, it now seems to me that TCL have delivered the new number one choice, a syllabus that ticks every box. Welcome to the new Gold Standard . Andrew Eales, pianodao.com, August 2020 The exceptionally wide-ranging, new piano syllabus launched by Trinity last week goes out of its way to provide maximum flexibility and opportunity for candidates to flourish. The two-list format is quite different from ABRSM, and even though numerous pieces in both boards interchange and connect from grade to grade, the current Trinity list prioritises flexibility and freedom of choice to an exceptional extent. The sheer number of choices on offer is staggering, and though past syllabus material is present, the fact that candidates themselves have not known the music previously means that they are presented throughout the whole selection with an extremely diverse and contrasted range. Murray McLachlan, European Piano Teachers Association, August 2020

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