Overview

Welcome to the final issue of Australian Photography for 2017. head spin, it's reassuring to see some things In a year that's gone by so fast it's made myare a constant - Australian photographers continuing towow us on the international stage. First Daniel Berehulak won his second Pulitzer prize and another WorldPress Photo Award, and later in the year Adam Ferguson turned his lens on rural Australia with a powerfulseries for the New York Times. But outside of the worldof documentary photography there's been other significant achievements too - regular AP contributor JustinGilligan being recognised as one of the best wildlifephotographers in the world at the 2017 Wildlife Photographer of the Year, and many other Australian photographers being acknowledged for excellence in the SonyWorld Photo awards, probably the largest photo competition in the world. You can see some of our favouriteshots from the year on page 20.And with the ups, there's also been the downs. Itseems we can't go a month without a controversy ofsome description rearing it's ugly head - the outrageous case of the fake war photographer who fooledsome of the world's biggest media organisations probably took the cake, even before we found out he hadvanished and was hiding in a van somewhere on thewest coast of Australia. We haven't escaped them either, with an eagle-eyed entrant in one of our monthly

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