Photography and Surrealism: Sexuality, Colonialism and Social Dissent

Author:   David Bate
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032220222


Pages:   282
Publication Date:   07 May 2024
Format:   Hardback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Photography and Surrealism: Sexuality, Colonialism and Social Dissent


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Overview

David Bate examines automatism and the photographic image, the Surrealist passion for insanity, ambivalent use of Orientalism, use of Sadean philosophy and the effect of fascism of the Surrealists. The book is illustrated wtih a wide range of surrealist photographs.

Full Product Details

Author:   David Bate
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
ISBN:  

9781032220222


ISBN 10:   1032220228
Pages:   282
Publication Date:   07 May 2024
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

What is a Surrealist photograph?; the automatic image; sadness and sanity; the oriental signifier; the Sadean eye; black object, white subject; the truth of the colonies; fascism and exile.

Reviews

David Bate provides a rich feast of carefully researched insights into how photographers of the Breton Circle in Paris understood their activities as deeply socially transformative. This is a much-needed work of scholarly restoration, which reconnects surrealism with its own repressed histories as an instrumental practice of cultural and political resistance. This book is a welcome antidote to popular notions of Surrealism as apolitical 'shock art' or as phallocentric and sexually exploitive. --Deborah Bright


"""""David Bate provides a rich feast of carefully researched insights into how photographers of the Breton Circle in Paris understood their activities as deeply socially transformative. This is a much-needed work of scholarly restoration, which reconnects surrealism with its own repressed histories as an instrumental practice of cultural and political resistance. This book is a welcome antidote to popular notions of Surrealism as apolitical 'shock art' or as phallocentric and sexually exploitive.""""--Deborah Bright"


Author Information

David Bate is Course Leader in MA Photographic Studies & Senior Lecturer in Photography Theory, University of Westminster, London.

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