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OverviewDefining the Chief Executive via flash powder and selfie sticks Lincoln’s somber portraits. Lyndon Johnson’s swearing in. George W. Bush’s reaction to learning about the 9/11 attacks. Photography plays an indelible role in how we remember and define American presidents. Throughout history, presidents have actively participated in all aspects of photography, not only by sitting for photos but by taking and consuming them. Cara A. Finnegan ventures from a newly-discovered daguerreotype of John Quincy Adams to Barack Obama’s selfies to tell the stories of how presidents have participated in the medium’s transformative moments. As she shows, technological developments not only changed photography, but introduced new visual values that influence how we judge an image. At the same time, presidential photographs—as representations of leaders who symbolized the nation—sparked public debate on these values and their implications. An original journey through political history, Photographic Presidents reveals the intertwined evolution of an American institution and a medium that continues to define it. Full Product DetailsAuthor: Cara A. FinneganPublisher: University of Illinois Press Imprint: University of Illinois Press Dimensions: Width: 15.20cm , Height: 2.00cm , Length: 22.90cm Weight: 0.513kg ISBN: 9780252085789ISBN 10: 0252085787 Pages: 296 Publication Date: 18 May 2021 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsCoverTitleCopyrightContentsAcknowledgmentsIntroductionPart I. The Daguerreotype Presidents1. Photographing George Washington2. Early Daguerreotypes in the U.S. and the Nation’s Capital3. John Quincy Adams and National PortraiturePart II. The Snapshot President4. Handheld Photography and the Halftone Revolution5. William McKinley’s Last PhotographsPart III. The Candid Camera Presidents6. Visual News in the Early Twentieth Century7. Herbert Hoover, Franklin Roosevelt, and the Candid CameraPart IV. The Social Media President8. Changing Visual Media from the Mid-Twentieth Century to the Digital Age9. Barack Obama and FlickrConclusion: The Portrait Makes Our PresidentNotesSelected BibliographyIndexBack coverReviewsToday, the camera, the press, and the presidency are inextricably linked. But how did we get here and, more importantly, how does that evolution inform the present visual and rhetorical landscape? Based on her longstanding research, writing and commentary as a 'presidential visual scholar,' there is no one better equipped to compose this picture than Cara Finnegan. This narrative weaves the evolution of a technology, a communications medium, and the highest office in the land into a vivid historical panorama. In current times, in an atmosphere in which visual politics can be all too affecting and effecting, Photographic Presidents places the visual presidency into a necessary frame. --Michael Shaw, Publisher, Reading the Pictures Today, the camera, the press, and the presidency are inextricably linked. But how did we get here and, more importantly, how does that evolution inform the present visual and rhetorical landscape? Based on her longstanding research, writing and commentary as a 'presidential visual scholar, ' there is no one better equipped to compose this picture than Cara Finnegan. This narrative weaves the evolution of a technology, a communications medium, and the highest office in the land into a vivid historical panorama. In current times, in an atmosphere in which visual politics can be all too affecting and effecting, Photographic Presidents places the visual presidency into a necessary frame. --Michael Shaw, Publisher, Reading the Pictures Author InformationCara A. Finnegan is a professor of communication at the University of Illinois at Urbana-Champaign. She is the author of Making Photography Matter: A Viewer’s History from the Civil War to the Great Depression and Picturing Poverty: Print Culture and FSA Photographs. Tab Content 6Author Website:Countries AvailableAll regions |