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OverviewFull Product DetailsAuthor: Katherine M. H. ReischlPublisher: Cornell University Press Imprint: Cornell University Press Dimensions: Width: 17.80cm , Height: 2.50cm , Length: 25.40cm Weight: 0.907kg ISBN: 9781501724367ISBN 10: 1501724363 Pages: 320 Publication Date: 15 December 2018 Recommended Age: From 18 years Audience: College/higher education , General/trade , Postgraduate, Research & Scholarly , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Illustrations Acknowledgments Note on Transliteration and Translation Introduction: Chasing Pushkin's Photograph 1. Tolstoy in the Age of His Technological Reproducibility 2. The Diffusion of Domesticated Photography 3. Microgeography, Macroworld 4. Look Left, Young Man! The International Exchangeof Photo-Narratives Conclusion: Nabokov, Solzhenitsyn, and the Anxiety of Photographic Authorship Notes IndexReviewsThis is a first-rate scholarly monograph. Reischl's work brings together scholarly rigor, an excellent knowledge of sources, deft and expressive writing, insightful close-reading, and careful thinking. -- Julie Buckler, Samuel Hazzard Cross Professor of Slavic Languages and Literatures and of Comparative Literature, Harvard University, and the author of <I>Mapping St. Petersburg: Imperial Text and Cityshape</I> This book represents a truly significant contribution to literary criticism, offering a timely, in-depth, wide-ranging critical engagement of an issue of great current interest: how technology affects the evolution of cultural forms. -- Elizabeth Papazian, Associate Professor of Russian and Film Studies, University of Maryland, and author of <I>Manufacturing Truth: The Documentary Moment in Early Soviet Culture</I> Katherine M. H. Reischl shows how, for generations of Russian author-photographers, text and photography became essential in representations of the world and of the author. Photographic Literacy is essential for anyone interested in Russian institutions of authorship and media history and offers detailed accounts of important figures from Leo Tolstoy to Alexander Rodchenko. -- Kevin Platt, Kevin M.F. Platt, University of Pennsylvania, and author of <I>Terror and Greatness</I> This is a first-rate scholarly monograph. Reischl's work brings together scholarly rigor, an excellent knowledge of sources, deft and expressive writing, insightful close-reading, and careful thinking. -- Julie Buckler, Harvard University, and the author of <I>Mapping St. Petersburg</I> This book represents a truly significant contribution to literary criticism, offering a timely, in-depth, wide-ranging critical engagement of an issue of great current interest: how technology affects the evolution of cultural forms. -- Elizabeth Papazian, University of Maryland, and author of <I>Manufacturing Truth</I> Author InformationKatherine M. H. Reischl is Assistant Professor of Slavic Languages and Literatures at Princeton University. In addition to her work on Russian author-photographers, she has published on Soviet children’s books and the digital mediation of avant-garde journals. Tab Content 6Author Website:Countries AvailableAll regions |