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Author:   Sabine T. Kriebel (University College Cork, Ireland) ,  Andrés Zervigón (Rutgers University, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.60cm , Height: 1.50cm , Length: 23.40cm
Weight:   0.540kg
ISBN:  

9781138914612

ISBN 10:   1138914614
Pages:   276
Publication Date:   21 October 2016
Audience:   College/higher education ,  Postgraduate, Research & Scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Contents List of figures About the contributors Introduction Sabine T. Kriebel and Andrés Mario Zervigón Prelude Three or Four Kinds of Indeterminacy in the Photograph Douglas R. Nickel Part I Between Facticity and Fiction 1 No Room for Doubt? Daguerre and his First Critics Steffen Siegel 2 Blowing Up the World: On the Evidentiary Cultures of Enlargement, ca, 1893-1917 Jordan Bear 3 A Magician Among the Spirit Photographs: Reflections on Houdini’s Doubt Louis Kaplan Part II Instabilities of the Medium 4 Reaching Beyond the Index: The Publication of News Photographs Thierry Gervais 5 The Camera Work of the PM Sketch Report Jason E. Hill 6 Robert Capa and the Turn to Forensics Vincent Lavoie Part III From Aporia to Anomie: Photography Deconstructed 7 Moholy’s Doubt Susan Laxton 8 Max Ernst: Graceful Photographer Adrian Sudhalter 9 Atomisation, Anomie and Farewell to Photography Sarah Kelleher Part IV Indeterminacy 10 Controlling Doubt: Abstract Painting and Photography John J. Curley 11 Clouded Judgment: Conceptual Art, Photography and the Discourse of Doubt Heather Diack 12 Methodological Position for Second Degree Art History Robert Slifkin Selected Bibliography Index

Reviews

'This outstanding collection of essays sheds new light on photography's beguilingly complex relationship to the real. In chapters addressing a wide range of topics, from war photography to conceptual art, the authors tease out threads of doubt, paradox, and enigma that run through the history of the medium. One thing is clear: this is a major new contribution to the field.' Mia Fineman, Associate Curator, The Metropolitan Museum of Art, New York, USA 'Essays in this exciting collection embrace the uncertainties, ambivalences and contradictions that pulse through photography as a medium. Working fearlessly in photography's grey zone - between construction and referentiality -- contributors offer historically-grounded insights into a range of genres: from war, through spirit, to fine art photography. The only doubt that the volume dispels is that doubt as a category that has hovered over the medium from its inception opens up a productive and original heuristic for future study.' Andrea Noble, Professor of Latin American Studies, University of Durham, UK

Author Information

Sabine T. Kriebel teaches at the University College Cork, Republic of Ireland, where she has taught modern art and photography since 2004. Kriebel is author of Revolutionary Beauty: The Radical Photomontages of John Heartfield (2014) and has published widely on photography and photography theory, photomontage, and mass-circulation magazines. Andrés Mario Zervigón is Associate Professor in the Art History Department at Rutgers, The State University of New Jersey. He is author of John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage (2012) and coeditor of Photography and Its Origins (with Sheehan, 2015).

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