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OverviewFull Product DetailsAuthor: Professor Paul CrowtherPublisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Dimensions: Width: 15.60cm , Height: 2.30cm , Length: 23.40cm Weight: 0.472kg ISBN: 9781441119735ISBN 10: 1441119736 Pages: 208 Publication Date: 03 January 2013 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Language: English Table of ContentsAcknowledgments \ Introduction \ 1. Painting as an Art: Wollheim and the Subjective Dimension \ 2. Abstract Art and Transperceptual Space: Wolheim, and Beyond \ 3. Truth in Art: Heidegger Against Contextualism \ 4. Space, Place, and Sculpture: Heidegger's Pathways \ 5. Vision in Being: Merleau-Ponty and the Depths of Painting \ 6. Subjectivity, the Gaze, and the Picture: Developing Lacan \ 7. Dimensions in Time: Dufrenne's Phenomenology of Pictorial Art \ Conclusion: A Preface to Post-Analytic Phenomenology \ Bibliography \ IndexReviewsWhat is most satisfying in Crowther's study is the degree to which his discussion concerning treatments of art and aesthetics maintains a discussion with actual works of art. While I might not always agree with where this leads his discussion of Heidegger and others, his analyses are nevertheless generally defensible. And while I might prefer others who treat Heidegger, Kant, Hegel, etc. and art -- I am thinking here especially of John Sallis -- I can think of no one who treats such variety in art as Crowther. I find this most recent addition to his extensive accounting of art and those who think about art most rewarding, and I recommend it to all. * Notre Dame Philosophical Review * Paul Crowther has created an important body of philosophical writing about visual art. The present work develops it further. * British Journal of Aesthetics, vol 54, no. 4 * What is most satisfying in Crowther's study is the degree to which his discussion concerning treatments of art and aesthetics maintains a discussion with actual works of art. While I might not always agree with where this leads his discussion of Heidegger and others, his analyses are nevertheless generally defensible. And while I might prefer others who treat Heidegger, Kant, Hegel, etc. and art -- I am thinking here especially of John Sallis -- I can think of no one who treats such variety in art as Crowther. I find this most recent addition to his extensive accounting of art and those who think about art most rewarding, and I recommend it to all. -- Jeffrey Powell, Marshall University Notre Dame Philosophical Review Author InformationPaul Crowther is Professor of Philosophy at the National University of Ireland, Galway. Tab Content 6Author Website:Countries AvailableAll regions |