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OverviewFull Product DetailsAuthor: Rose Dodd (University of Hull, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Weight: 0.400kg ISBN: 9781472428240ISBN 10: 1472428242 Pages: 192 Publication Date: 01 August 2016 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1 Music, Performance, Theatre: Christopher Fox’s Stage Works 2 Professor Fox, Will You Draw Me a Doodle? 3 Mapping the Words: A Composer’s View of the Role of Text in Music 4 Reflections on Consonance and Dissonance: Christopher Fox’s Early Works for Clarinet 5 Dr Fox’s Commas 6 Utilitarian Electronics: Portrait mit Cage und Stockhausen (Barlow und Kagel sind auch dabei) 7 Something to Do with Belief: An Interview with Christopher Fox 8 Style Matters: Getting Foxy with Igor (and Benjamin) 9 Abstruse Bagatelles: Music for Solo Piano by Christopher Fox 10 Ecstatic and Dutch: Structuralist Approaches to MinimalismReviewsAuthor InformationRose Dodd (1967) is a composer of instrumental and electronic music. From 1990-94 she lived in the Netherlands studying briefly with Diderik Wagenaar at the Royal Dutch Conservatoire (the Hague). Coming from an acousmatic background with a strong interest in Scandinavian soundworlds, whether electronic or instrumental, the Swedish text sound-art tradition in particular has led to a number of electronic works with text. Dodd has been awarded a number of prizes, including Honourable Mention at Prix Ars Electronica'96, 19th International Luigi Russolo Concorso and Prix de Residence at Bourges Synthese'97. Engaged in a significant research residency period at Notam Oslo, Norway, which began in 2011, she is working on a series of works for instruments and electronics. The results so far have been mobius ii for Hardanger fiddle (Britt Pernille Froholm) & electronics premiered HCMF 2011; Aandacht for 2 pianos and electronics, performed by Philip Thomas/Lisa Ullen premiered HCMF 2013 and Waternish Ballad for Scottish fiddle (Sarah-Jane Summers) & electronics premiered at Scotland's Sound Festival, Banchory in October 2014. She has also written pieces for Ere Lievonen, for the 31-tone Huygens-Fokker Organ, situated in Amsterdam's Muziekgebouw, Kleurenspelletjes (2015). She was awarded a PhD in Composition in 2006 at the University of Huddersfield, UK, where she studied with Christopher Fox. Tab Content 6Author Website:Countries AvailableAll regions |
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