Full Product Details
Author: Brian Nelson (Monash University, Australia) ,
Brigid Maher (La Trobe University, Australia)
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Volume: 5
Weight: 0.453kg
ISBN: 9781138210554
ISBN 10: 1138210552
Pages: 232
Publication Date: 26 August 2016
Audience:
College/higher education
,
Postgraduate, Research & Scholarly
,
Undergraduate
Format: Paperback
Publisher's Status: Active
Availability: In Print
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Reviews
With a focus on the nature and the cultural significance of literary translation, this fascinating collection of essays incisively analyzes the creation, circulation and reception of translated texts. Contributions from both practitioners and scholars here offer a range of perspectives and case studies that explore how writing and translation intersect, how and why texts are disseminated across linguistic and other borders, and what forms of gate-keeping control access to the marketplace. Like translation itself, this volume helpfully opens up new vistas on texts and literary systems. - Valerie Henitiuk, Director, British Centre for Literary Translation This work is at the cutting edge of literary translation research. Two aspects are particularly appealing. One is hearing the translator's reflexive voice speaking about his/her creative processes. The other is the way that it explores 'world literature' and international literary flows, via case studies that draw fascinating conclusions beyond their time, text and place. --Francis R. Jones, Newcastle University, UK
"""With a focus on the nature and the cultural significance of literary translation, this fascinating collection of essays incisively analyzes the creation, circulation and reception of translated texts. Contributions from both practitioners and scholars here offer a range of perspectives and case studies that explore how writing and translation intersect, how and why texts are disseminated across linguistic and other borders, and what forms of gate-keeping control access to the marketplace. Like translation itself, this volume helpfully opens up new vistas on texts and literary systems."" - Valerie Henitiuk, Director, British Centre for Literary Translation ""This work is at the cutting edge of literary translation research. Two aspects are particularly appealing. One is hearing the translator’s reflexive voice speaking about his/her creative processes. The other is the way that it explores ‘world literature’ and international literary flows, via case studies that draw fascinating conclusions beyond their time, text and place."" --Francis R. Jones, Newcastle University, UK"
With a focus on the nature and the cultural significance of literary translation, this fascinating collection of essays incisively analyzes the creation, circulation and reception of translated texts. Contributions from both practitioners and scholars here offer a range of perspectives and case studies that explore how writing and translation intersect, how and why texts are disseminated across linguistic and other borders, and what forms of gate-keeping control access to the marketplace. Like translation itself, this volume helpfully opens up new vistas on texts and literary systems. - Valerie Henitiuk, Director, British Centre for Literary Translation This work is at the cutting edge of literary translation research. Two aspects are particularly appealing. One is hearing the translator's reflexive voice speaking about his/her creative processes. The other is the way that it explores 'world literature' and international literary flows, via case studies that draw fascinating conclusions beyond their time, text and place. --Francis R. Jones, Newcastle University, UK
Author Information
Brian Nelson is Professor Emeritus of French Studies and Translation Studies at Monash University, Melbourne, and a Fellow of the Australian Academy of the Humanities. He is well known for his critical studies and translations of the novels of Emile Zola. Brigid Maher is Lecturer in Italian Studies at La Trobe University. She is the author of Recreation and Style: Translating Humour in Italian and English Literature (Benjamins) and co-editor of Words, Images and Performances in Translation (Continuum) and The AALITRA Review. She has translated novels by Milena Agus and Nicola Lagioia.
