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Author:   Jesse Rae Archibald-Barber ,  Kathleen Irwin ,  Moira J. Day
Publisher:   University of Regina Press
Imprint:   University of Regina Press
Dimensions:   Width: 15.30cm , Height: 2.60cm , Length: 22.90cm
Weight:   0.560kg
ISBN:  

9780889776760

ISBN 10:   0889776768
Pages:   272
Publication Date:   19 October 2019
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

Introduction: Perspectives on Current Practice by Jesse Rae Archibald-Barber, Kathleen Irwin, Moira J. Day PART I: CRITICAL SELF-REPRESENTATION IN PRODUCTION AND TRAINING 1. Stranger in a Strange Land: Views from an Indigenous Lens by Michael Greyeyes 2. Making a Movie: How to Carry an Elephant up a Mountain by Armand Garnet Ruffo 3. Decolonizing Counterpoints: Indigenous Perspectives and Representations in Classical Music and Opera by Spy Dénommé-Welch and Catherine Magowan 4. Making Our Own Bundle: Philosophical Reflections on Indigenous Theatre Education by Carol Greyeyes 5. Conversation with Daniel David Moses, August 2016 by Annie Smith and Daniel David Moses PART II: PERFORMANCE IN DIALOGUE WITH THE TEXT 6. Performing the Bingo Game in Tomson Highway’s The Rez Sisters by Jesse Rae Archibald-Barber 7. A Prayer for Rita Joe by Yvette Nolan 8. Cradling Space: Towards an Indigenous Dramaturgy on Turtle Island by Dione Joseph 9. Standing with Sky Woman: A Conversation on Cultural Fluency by Kahente Horn-Miller 10. Resurgence, Recognition, and Remaining Settled Through Changes at UpFront ’91 by Megan Davies CODA: THE DREAM OF AN IMPOSSIBLE THEATRE 11. Red People, Red Magic by Floyd P. Favel Acknowledgements Contributors Index

Reviews

A valuable and timely collection. -- Alan D Filewod, author of Committing Theatre Following the Final Report on Truth and Reconciliation Brilliantly introduces pedagogies that jump scale; a bundling project for future ancestors revealing knowledges for flight into kinstillatory relationships. -- Karyn Recollet, co-author of In This Together: Blackness, Indigeneity, and Hip Hop An important resource for those who want to introduce or incorporate Indigenous artistic perspectives in their course or work. -- Heather Davis-Fisch, author of Loss and Cultural Remains in Performance A very significant and welcome contribution to the growing body of work on Indigenous theatre and performance in the land now called Canada. -- Ric Knowles, author of Performing the Intercultural City

An important resource for those who want to introduce or incorporate Indigenous artistic perspectives in their course or work. --Heather Davis-Fisch, author Loss and Cultural Remains in Performance A valuable and timely collection. --Alan D. Filewod, author Committing Theatre Brilliantly introduces pedagogies that jump scale; a bundling project for future ancestors revealing knowledges for flight into kinstillatory relationships. --Karyn Recollet, co-autho In This Together: Blackness, Indigeneity, and Hip Hop A very significant and welcome contribution to the growing body of work on Indigenous theatre and performance in the land now called Canada. --Ric Knowles, author Performing the Intercultural City

Author Information

Jesse Rae Archibald-Barber is from oskana kâ-asastêki and is an associate professor of Indigenous literatures at First Nations University of Canada in Regina. He is the editor of kisiskâciwan: Indigenous Voices from Where the River Flows Swiftly and the writer and producer of the Making Treaty 4 performance project. Kathleen Irwin is Associate Dean of Graduate Studies and Research in the Faculty of Media, Art, and Performance at the University of Regina. Moira J. Day is a professor of drama at the University of Saskatchewan, where she also serves as an adjunct member of Women's and Gender Studies, and the Classical, Medieval and Renaissance Studies Unit. She lives in Edmonton.

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