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OverviewPerforming Stragismo and Counterspectacularisation offers a new theoretical lens on political violence as spectacle, drawing on performance theory to explore how acts of violence – particularly terrorism – are staged, circulated, and remembered. It interrogates the role of spectacularity in shaping public discourse, tracing how power and media mobilise violence into a visual and rhetorical regime that leaves deep imprints on collective memory. In response, this book proposes counterspectacularisation: a repertoire of critical strategies developed by the public and by performance-makers to resist or reframe the spectacle of terror. Through a mix of theoretical reflection, close analysis of performance case studies, and four original artworks created by the author, the text explores how performance can respond ethically to silences and fractures in memory. It advocates for cross-disciplinary approaches that challenge dominant representations of violence and that offer alternative frameworks for grappling with trauma, remembrance, and representation in an age of political spectacle. This will be of particular value to researchers working on the afterlives of terrorism and state violence, especially within memory studies, media studies, and trauma theory. It will also speak to scholars in Italian studies, ethnography, and performance. Full Product DetailsAuthor: Irene RosPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.580kg ISBN: 9781032978147ISBN 10: 1032978147 Pages: 218 Publication Date: 22 December 2025 Audience: College/higher education , Professional and scholarly , Postgraduate, Research & Scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsReviewsThis book introduces an innovative theory of how political violence can be understood as a spectacle, using performance to investigate how spectacularity, particularly the spectacle of political violence, influences collective memory. -Bryce Lease, Professor, The Royal Central School of Speech and Drama, UK Author InformationIrene Ros is a theatre and performance practitioner, SGSAH alumna, and independent researcher. Co-founder of Cut Moose, a charity exploring inclusive storytelling through diverse art forms, she shares her research internationally through papers and screenings at conferences and symposia, and recently published ""Will Cinderella Fight Inequality?"" (IJPADM, 2025). Tab Content 6Author Website:Countries AvailableAll regions |
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