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9781409445678

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Reviews

'This book has the potential for a wide readership including academics and students as well as those interested in opera and ballet settings of plays. It offers a sociocultural and historic rereading of a seminal literary, musical, operatic, balletic, cinematic work that has changed the direction of the theater and theatrical works for film. It is successful in revealing how corporeal performing bodies reveal alternative stories, narratives, perspectives .' Notes

'This book has the potential for a wide readership including academics and students as well as those interested in opera and ballet settings of plays. It offers a sociocultural and historic rereading of a seminal literary, musical, operatic, balletic, cinematic work that has changed the direction of the theater and theatrical works for film. It is successful in revealing how corporeal performing bodies reveal alternative stories, narratives, perspectives .' Notes

Author Information

Clair Rowden is lecturer in the School of Music, Cardiff University, UK. Her research deals with opera, dance and nineteenth-century France; her book Republican Morality and Catholic Tradition at the Opera: Massenet’s Hérodiade and Thaïs was published in 2004. She is a member of the ‘Francophone Music Criticism 1789-1914’ network and is responsible for the preparation of online editions of various corpora of nineteenth-century French music criticism. Current research comprises a book on opera, parody and caricature in the French fin-de-siècle press, and an edited volume (with Alexandra Wilson) Transforming Opera. Clair Rowden has published articles in La Revue de musicologie, Music in Art, Franco-British Studies, Avant-Scène Opéra and regularly contributes chapters concerning opera and dance to the Cahiers de l’Esplanade (Saint-Etienne, France), and programme notes for the Royal Opera House, Covent Garden.

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