Performing Human Rights – Contested Amnesia and Aesthetic Practices in the Global South

Author:   Liliana Gómez
Publisher:   Diaphanes AG
ISBN:  

9783035802610


Pages:   304
Publication Date:   18 May 2021
Format:   Paperback
Availability:   In Print   Availability explained
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Performing Human Rights – Contested Amnesia and Aesthetic Practices in the Global South


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Full Product Details

Author:   Liliana Gómez
Publisher:   Diaphanes AG
Imprint:   Diaphanes AG
Dimensions:   Width: 14.10cm , Height: 2.90cm , Length: 22.30cm
Weight:   0.634kg
ISBN:  

9783035802610


ISBN 10:   3035802610
Pages:   304
Publication Date:   18 May 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

PERFORMING HUMAN RIGHTS Contested Amnesia and Aesthetic Practices in the Global South       TABLE OF CONTENTS   Liliana Gómez: Performing human rights. An introduction   BETWEEN LAW AND THE WRITING OF HISTORY   Zahira Aragüete Toribio: Epistemic encounters amidst impunity: forensic investigations of mass crimes in Post-Franco Spain Vikki Bell: Taking the risk of images, after all: between form and formlessness at the Espacio Memoria y Derechos Humanos, ex-ESMA, Argentina Liliana Gómez: Beyond the courtroom: on dust, haunting, and the archive   FORENSIC AESTHETICS AND POLITICS OF MEMORY   Friederike Pannewick: The poetics and politics of the body in pain. Sinan Antoon’s novel The Corpse Washer Elena Rosauro: To speak of the silence of a country. An approach to Spanish contemporary artistic practices related to history and memory Stephenie Young: Boundary-aesthetics: obscured scenographies of violence at the U.S./Mexican Border   PERFORMING HUMAN RIGHTS   Joscelyn Jurich: Performing karama: Abounaddara’s emergency cinema in theory and praxis Pauline Bachmann: The subversive potential of opacity: Poema/processo and 3Nós3’s artistic strategies during Brazil’s military dictatorship Dorota Sajewska: Performing periphery or the ambivalence of demodernization. Notes on Artur Żmijewski’s film Glimpse   POSTSCRIPTUM Uriel Orlow: Letter from Lubumbashi

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Author Information

Liliana Gómez is SNSF-professor (Swiss National Science Foundation) at the University of Zurich, where she directs several research projects. She is also an affiliated researcher at the Orient-Institute Beirut in Lebanon and cochair of the Visual Culture Studies Section of the Latin American Studies Association.  

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