Overview

Emmanuel Levinas's ethical philosophy has had a significant influence on film theory in recent years. Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of the Dardenne Brothers, Barbet Schroeder and Paul Schrader. Discussing a range of films including the Dardennes' Le Fils and The Kid with a Bike, Schroeder's Matresse and Reversal of Fortune and Schrader's American Gigolo and The Comfort of Strangers Edward Lamberti demonstrates how film styles can perform a Levinasian ethics.

Full Product Details

Author:   Edward Lamberti
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
ISBN:  

9781474444002

ISBN 10:   1474444008
Pages:   272
Publication Date:   30 November 2019
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

List of Figures Acknowledgements Introduction: Textual Performances in Levinas and Film Part I: The Dardenne Brothers: An Ethics Without Rest 1. Je Pense à Vous and La Promesse: From Describing to Performing 2. Levinasian Responsibility in Le Fils 3. The Kid with a Bike and the Reframing of Ethics Part II: Barbet Schroeder: Devoted to the Other 4. Maîtresse: Direction Without Domination 5. The Ethical and the Juridical in Reversal of Fortune and Terror’s Advocate 6. Our Lady of the Assassins and Levinas’s Ethics as First Philosophy Part III: Paul Schrader: An Unexpected Ethics 7. American Gigolo and the Ethics of Falling in Love 8. Levinasian Limits of Performativity in Mishima: A Life in Four Chapters 9. Passivity and Responsibility in The Comfort of Strangers, Dominion: Prequel to the Exorcist and Adam Resurrected Conclusion: Levinasian Films in the World Notes Bibliography Index

Reviews

Lamberti proposes that certain films by the Dardenne brothers, Barbet Schroeder and Paul Schrader perform the Levinasian ethical encounter in ways that involve the viewer in that experience and responsibility. This original intervention in the field of Levinasian ethics and film is sharply focused, compelling, and beautifully written. The book engages with debates about film as language, raises questions about film as performativity, and through close analysis shows how style creates ethical encounters with the Other. Lamberti demonstrates how film can be performative Levinasian ethics, and this makes a substantial contribution to the understanding of the ethical possibilities with which film-philosophy is concerned.--Dr Lucy Bolton, Queen Mary, University of London

Author Information

Edward Lamberti teaches film at King's College London and also works at the British Board of Film Classification. He is the editor of Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age (longlisted for the 2013 Kraszna-Krausz Book Award for Best Moving Image Book).

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