Performing Cultural Tourism: Communities, Tourists and Creative Practices

Author:   Susan Carson ,  Mark Pennings (Queensland University of Technology)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367369125


Pages:   206
Publication Date:   12 July 2019
Format:   Paperback
Availability:   In Print   Availability explained
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Performing Cultural Tourism: Communities, Tourists and Creative Practices


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Author:   Susan Carson ,  Mark Pennings (Queensland University of Technology)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.294kg
ISBN:  

9780367369125


ISBN 10:   0367369125
Pages:   206
Publication Date:   12 July 2019
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

List of figures List of tables List of contributors Methodologies of touristic exchange: an introduction SUSAN CARSON PART I Cooperation, exchange negotiation: the shared needs of Indigenous communities and cultural tourists 1 ‘Temporary belonging’: Indigenous cultural tourism and community art centres SALLY BUTLER 2 Saving Sagada PATRICIA MARIA SANTIAGO 3 Native American communities and community development: the case of Navajo Nation CHRISTINE N. BUZINDE, VANESSA VANDEVER AND GYAN NYAUPANE PART II The cultural tourist, social media and self-exploration 4 Investigating the role of virtual peer support in Asian youth tourism HILARY DU CROS 5 Doing literary tourism – an autoethnographic approach TIM MIDDLETON 6 Creative cultural tourism development: a tourist perspective ZHANG YANG AND PHILIP XIE 7 #travelselfie: a netnographic study of travel identity communicated via Instagram ULRIKE GRETZEL PART III Cultural precincts, events and managing tourist and community expectations 8 The creative turn: cultural tourism at Australian convict heritage sites SUSAN CARSON AND JOANNA HARTMANN 9 Cultural tourism and the Olympic movement in Greece EVANGELIA KASIMATI AND NIKOLAOS VAGIONIS 10 Local/global: David Walsh’s Museum of Old and New Art and its impact on the local community and the Tasmanian tourist industry MARK PENNINGS Conclusion SUSAN CARSON AND MARK PENNINGS Index

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Author Information

Susan Carson, Associate Professor, teaches and researches in the Creative Industries Faculty at Queensland University of Technology, Brisbane, Australia. She received her PhD from the University of Queensland, Brisbane, and now publishes in the fields of cultural tourism, Australian studies and postgraduate pedagogy. Susan’s most recent publication in the tourism sector is ‘Literature, tourism and the city: Writing and cultural change’ with Lesley Hawkes, Kari Gislason and Kate Cantrell in the Journal of Tourism and Cultural Change (2016). She reviews submissions for international journals in the tourism sector as well as for creative industries journals, and is the co-author of a national Australian government Office of Learning and Teaching report into creative practice-led research in Australian universities (2014). Mark Pennings is a Senior Lecturer in Art History and Theory in Visual Arts in the Creative Industries Faculty of the Queensland University of Technology, Brisbane, Australia. Pennings’ research interests include visual arts, cultural tourism, the experience economy, cultural and political theory, social and sporting history and pedagogy in international learning. He teaches postwar and contemporary art, and runs study tours to New York City and Tokyo. Pennings has produced many art reviews, catalogue essays and articles in journals such as Art Forum, Art Monthly, Art and Australia and Eyeline. He has presented national and international conference papers in the field of cultural tourism, and is interested in the impact of corporate culture on the infrastructures of tourism in a global experience economy. He has studied art and art museums in experiencescapes, and has examined the role of Museum of Old and New Art (Hobart) and the Gallery of Modern Art (Brisbane) in Australian cultural tourism.

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