Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation

Author:   Michele Avis Feder-Nadoff ,  Ronda Brulotte, University of New Mexico ,  Natasha Bonilla Eckholm ,  Iris Calderón Téllez
Publisher:   Lexington Books
ISBN:  

9781793639998


Pages:   330
Publication Date:   15 May 2024
Format:   Paperback
Availability:   Manufactured on demand   Availability explained


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Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation


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Author:   Michele Avis Feder-Nadoff ,  Ronda Brulotte, University of New Mexico ,  Natasha Bonilla Eckholm ,  Iris Calderón Téllez
Publisher:   Lexington Books
Imprint:   Lexington Books
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9781793639998


ISBN 10:   179363999
Pages:   330
Publication Date:   15 May 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Forthcoming
Availability:   Manufactured on demand   Availability explained

Table of Contents

Acknowledging: The Widening Circles Prolonging: Following Folds beyond Boundaries Michele Avis Feder-Nadoff An Appreciation of Dr. Janet B. Esser: From Brooklyn to Michoacán Natasha Bonilla Eckholm Prefacing Things: A Pondering Michele AvisFeder-Nadoff Chapter 1: Introducing Things: Between the Lines Michele AvisFeder-Nadoff PART ONE: TRANSLATING INSIDES AND OUTSIDES, MATERIALS AND GESTURES, NOMADIC AESTHETICS AND COMMUNITY Pondering Two Eugenio Mercado López Chapter 2: Artisans and Crafts in Postrevolutionary Mexico Eugenio Mercado López Pondering Three Amalia Ramírez Garayzar Chapter 3: The Rebozo: The Stereotype of the Popular Mexican Woman in Nineteenth-Century Art and Onward Amalia Ramírez Garayzar Pondering Four Anne W.Johnson Chapter 4: Performative Materiality, Masks, and Masking in Teloloapan, Guerrero Anne W.Johnson Pondering Five Eva Maria Garrido Izaguirre Chapter 5: Indigenous Aesthetics and Glocalization: Recursive Agencies and Reflexivity Eva María Garrido Izaguirre Pondering Six Lorena Ojeda Dávila and Iris Calderón Téllez Chapter 6: Identity, Female Empowerment, and Resistance through Textile Crafts in the P’urhépecha Region of Mexico Lorena Ojeda Dávila and Iris Calderón Téllez Pondering Seven Claudia Rocha Valverde Chapter 7: The Triqui Huipil as a Representation of Territory: Women Immigrants between Oaxaca and San Luis Potosí Claudia RochaValverde PART TWO: FORTLEBEN: CALLING FORTH, LIVING FORTH Chapter 8: Pondering Fortleben: An Interview with Janet B. Esser Michele Avis Feder-Nadoff Chapter 9: Selected Excerpts: Winter Ceremonial Masks of the Tarascan Sierra, Michoacán, México Dr. Janet B. Esser Introduction Michele Avis Feder-Nadoff Chapter 10: Afterword Ronda L. Brulotte Chapter 11: Masks in Performance: Selected Fieldwork Photographs Dr. Janet B. Esser Biographical Synthesis Dr. Janet B. Esser Janet B. Esser Selected Bibliography

Reviews

"Michele Feder-Nadoff's book is a remarkably diverse collection of articles, essays, and interviews about indigenous Mexican artisanry and performance. Many of the contributors are Mexican scholars whose important research has rarely been available in English. The book includes provocative discussions of complexities associated with the terms 'artesan�a' and 'crafts' and an extensive examination of the life and work of Janet Brody Esser, an influential art historian who specialized in mask making and dances in Michoac�n. --Michael Chibnik, professor emeritus, University of Iowa; author of Crafting Tradition: The Making and Marketing of Oaxacan Wood Carvings Performing Craft in Mexico pays homage to the groundbreaking scholarship of Janet Brody Esser (1930-2019), an art historian who taught at San Diego State University and a pioneer in the study of what is loosely termed ""craft,"" ""folk art,"" ""ethnic art,"" and, in Spanish, artesan�a. Attesting to Esser's scholarly legacy, the selections from Esser's dissertation and the essays offer a comprehensible introduction to key developments in the art-historical and anthropological engagement with an art that is other in terms of production, producer, social resonance, and performative, embodied experience. Recommended. Lower-division undergraduates through faculty and professionals/practitioners. -- ""Choice Reviews"" Performing Craft is a daring new vision of artisanal production, and its possibilities for translating meaning through time and across communities. The authors orient their investigations with the groundbreaking work of art historian Janet Esser and a mode of inquiry that links performance and crafted object. Writing both against the term 'artesania' and translating it creatively, the authors restore the distinctiveness of diverse Mexican makers and performers and the life projects they realize through their craft, words, and artistic commitments. Collectively these contributions offer a new vocabulary for studying the cultural force, collective purpose, and individual vision Mexican artisans make possible through their work. --Rudi Colloredo-Mansfeld, The University of North Carolina at Chapel Hill This timely volume is an important contribution to the growing literature on craft, and specifically craft in Mexico, where craft has long been enmeshed with the problems, pressures, and possibilities of nationalism, ethnicity, migration, gender, and global capitalism. Of special importance is the recognition and documentation of the African presence in Mexico. As becomes clear, craft makes worlds, and the people who make, use, imagine, and remember things crafted are the bearers of infinite repositories of knowing. --Elizabeth Chin, ArtCenter College of Design This wonderful and powerful collection of essays celebrates the contributions of the Mexican art historian, Janet Brody Esser, and reframes Mexican artisans, craftspersons, makers--those who make the things that collectors, tourists, and everyday people use, appreciate, and even take for granted--in terms of translations and performances. The volume challenges us to rethink who the makers are and the ways things take on new meanings as they travel from their makers into faraway hands and homes and collections. Moreover, the authors, here, are critically self-conscious and self-reflective of how they study and translate these makers and their things and performances in ways that shed new light on maker creativity and agency in important political and cultural contexts. --Walter E. Little, University at Albany"


Author Information

Michele Avis Feder-Nadoff is an independent scholar, founder of Cuentos Foundation, and assistant editor of the Journal of Embodied Research.

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