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OverviewThis new study of British popular music shows how it engages with class in mythical ways that allow audiences to perform class-based identities. Case studies on folk rock, punk and indie rock show how this performance works and explore the implications for listeners and audiences. Full Product DetailsAuthor: N. Wiseman-TrowsePublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 15.20cm , Height: 1.60cm , Length: 22.90cm Weight: 0.465kg ISBN: 9780230219496ISBN 10: 0230219497 Pages: 208 Publication Date: 30 September 2008 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsIntroduction: A Class Act Class and Popular Music Theory The Problem of Authenticity Performing Class The Folk Voice Folk Revival and Folk Rock Punk and Hardcore Dream Pop and Madchester Conclusion: A Different Class Notes Bibliography Discography IndexReviews'It is when Wiseman-Trowse applies the oft-discussed discourses of class and authenticity to performative theory that popular music studies is taken into rarely charted waters. Here he uses Judith Butler's analysis of sexuality, gender and desire as a model through which to argue that subjectivity becomes related to performance as well as the discourses that surround it... incisive and compelling' - Martin James, Times Higher Education Author InformationNATHAN WISEMAN-TROWSE is Senior Lecturer in Popular Culture and Course Leader for the BA in Popular Music at the University of Northampton, UK, as well as being an Executive Board member for the International Association for the Study of Popular Music, UK and Ireland branch. Tab Content 6Author Website:Countries AvailableAll regions |