Overview

Full Product Details

Author:   Bruno Forment
Publisher:   Leuven University Press
Imprint:   Leuven University Press
Dimensions:   Width: 19.50cm , Height: 1.40cm , Length: 28.50cm
Weight:   0.635kg
ISBN:  

9789462704145

ISBN 10:   9462704147
Pages:   208
Publication Date:   15 October 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction. Musical Texts and Contexts: Stairway to Heaven or Highway to Hell? Bruno Forment Mind the Gap: Reimagining Incomplete Medieval Music Niels Berentsen Performing by the Book (Next to the Book You Were Looking For), or: Aby Warburg’s “Good Neighbour” Björn Schmelzer Pluralising the Musical Text: Improvising on Canonic Repertoire Jonathan Ayerst À la recherche du chant perdu: The airs sérieux in the Recueils d’airs sérieux et à boire de différents auteurs (1695–99) as a Lens on Vocal Practices in the Seventeenth-Century Parisian Salon Elizabeth Dobbin From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt’s Evolving Relationship, 1822–57 Camilla Köhnken Nineteenth-Century Texts in the Twenty-First Century George Kennaway The Flexible Text: Published and Unpublished Alterations to the Schumann Cello Concerto in the Nineteenth Century Kate Bennett Wadsworth The Romantic Conductor-Scholar: What I Learned from the Archives Nir Cohen-Shalit Relocating Ravel’s “Sad Birds” in Alternative Forests of Place and Time Xiangning Lin The Virgin Act: Mediating Supplement and Repetition in Performance Clare Lesser Online materials Notes on Contributors Index

Reviews

“Performers involved with HIP will find this collection of essays invaluable. Musicologists will also find much to ponder, and the relatively straightforward written style of almost all the contributions will appeal to a wide readership of concertgoers, especially those with an interest in historical performance.” - John Potter, singer and author Bruno Forment has assembled a wonderful group of artistic researchers (of the highest calibre) working in a wide range of musical styles and periods; there is something here for everyone. - Neal Peres Da Costa, Sydney Conservatorium of Music

Author Information

Bruno Forment is the principal investigator of the ‘Resounding Libraries’ research cluster at Orpheus Instituut and the Leader of the ‘Performances’ Working Group in the European COST Action EarlyMuse.

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