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OverviewFull Product DetailsAuthor: Ian WatsonPublisher: Gordon and Breach Imprint: Harwood Academic (Performing Arts) Volume: v. 38 Weight: 0.566kg ISBN: 9789057551222ISBN 10: 9057551225 Pages: 252 Publication Date: 15 November 2001 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Part 1 Institutional training: theatre training in Poland, Kazimierz Braun; the Hochschule fur Schauspielkunst ""Ernst Busch"" Berlin -theatre training in post-GDR Berlin, Steve Earnest; mapping training/mapping performance - current trends in Australian actor training, Barry O'Connor; actor training in the United States - past, present and future (?), Ian Watson. Part 2 The East and experiments: invisible training in Balinese performance, Ron Jenkins and I. Nyoman Catra; a study in Motley - the Odin actors, Janne Risum; ambivalent positionings - Grotowski's art as vehicle and the paradox of categorization, Lisa Wolford; Beckett in Kyogen style - lessons in intercultural translation, Jonah Salz. Part 3 Some recent trends: Workshops for the World - the International Workshop Festival, Clive Barker and Dick McCaw; SITI, a site of stillness and surprise - Ann Bogart's viewpoints training meets Tadashi Suzuki's method of actor training, Eelke Lampe; entering the political discussion by artistic means - ELIA Master Class on Acting 1994, Jacqueline Martin; Alba emoting - a revolution in emotion for the actor, Roxanne Rix."ReviewsAuthor InformationIan Watson teaches at Rutgers University-Newark where he heads the Theatre Arts Program. He is especially interested in interculturalism in the theatre Tab Content 6Author Website:Countries AvailableAll regions |