Performer Training: Developments Across Cultures

Author:   Ian Watson
Publisher:   Gordon and Breach
Volume:   v. 38
ISBN:  

9789057551222


Pages:   252
Publication Date:   15 November 2001
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Performer Training: Developments Across Cultures


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Full Product Details

Author:   Ian Watson
Publisher:   Gordon and Breach
Imprint:   Harwood Academic (Performing Arts)
Volume:   v. 38
Weight:   0.566kg
ISBN:  

9789057551222


ISBN 10:   9057551225
Pages:   252
Publication Date:   15 November 2001
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Part 1 Institutional training: theatre training in Poland, Kazimierz Braun; the Hochschule fur Schauspielkunst ""Ernst Busch"" Berlin -theatre training in post-GDR Berlin, Steve Earnest; mapping training/mapping performance - current trends in Australian actor training, Barry O'Connor; actor training in the United States - past, present and future (?), Ian Watson. Part 2 The East and experiments: invisible training in Balinese performance, Ron Jenkins and I. Nyoman Catra; a study in Motley - the Odin actors, Janne Risum; ambivalent positionings - Grotowski's art as vehicle and the paradox of categorization, Lisa Wolford; Beckett in Kyogen style - lessons in intercultural translation, Jonah Salz. Part 3 Some recent trends: Workshops for the World - the International Workshop Festival, Clive Barker and Dick McCaw; SITI, a site of stillness and surprise - Ann Bogart's viewpoints training meets Tadashi Suzuki's method of actor training, Eelke Lampe; entering the political discussion by artistic means - ELIA Master Class on Acting 1994, Jacqueline Martin; Alba emoting - a revolution in emotion for the actor, Roxanne Rix."

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Ian Watson teaches at Rutgers University-Newark where he heads the Theatre Arts Program. He is especially interested in interculturalism in the theatre

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