Performance, Transparency, and the Cultures of Surveillance

Author:   James M. Harding
Publisher:   The University of Michigan Press
ISBN:  

9780472130740


Pages:   326
Publication Date:   23 January 2018
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Performance, Transparency, and the Cultures of Surveillance


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Author:   James M. Harding
Publisher:   The University of Michigan Press
Imprint:   The University of Michigan Press
Weight:   0.825kg
ISBN:  

9780472130740


ISBN 10:   0472130749
Pages:   326
Publication Date:   23 January 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Harding moves fluidly between the sociological, political, statistical, economic, and aesthetic considerations of the impacts of surveillance on contemporary life. His book contributes a cautionary analysis of contemporary surveillance society that is grounded in performance and activist histories from the 20th-century avant-garde and pitched toward the need for radical activist performance in the 21st century. The final chapter in particular is an unequivocal call to arms, a stirring appeal for radical action in the face of alarming imbalances of power at local, national, and international levels. --Elise Morrison, Yale University


Harding moves fluidly between the sociological, political, statistical, economic, and aesthetic considerations of the impacts of surveillance on contemporary life. His book contributes a cautionary analysis of contemporary surveillance society that is grounded in performance and activist histories from the 20th-century avant-garde and pitched toward the need for radical activist performance in the 21st century. The final chapter in particular is an unequivocal call to arms, a stirring appeal for radical action in the face of alarming imbalances of power at local, national, and international levels. --Elise Morrison, Yale University


Author Information

James M. Harding is Professor of Theatre and Performance Studies at the University of Maryland, College Park.

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