|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: L. VidlerPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.80cm , Length: 21.60cm Weight: 0.386kg ISBN: 9781137439758ISBN 10: 1137439750 Pages: 187 Publication Date: 17 December 2014 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction: Critical Theory and the Reconstruction of Early Modern Performance 1. Revisiting Comedia Reconstruction in a Revisionist Performance Environment 2. The Habitus of Corral Scenic Space 3. (Re)Placing the Corral Body 4. Staging the Object 5. Women/Objects on the Modern and Early Modern Stage: Two Exceptional Case Studies 6. Adaptation, Translation, and the Relevance of Classical Theatrical Performance 7. Theory PerformanceReviewsThis book is an excellent analysis of the theories and staging practices of Spanish Golden Age Drama. After observing that research of the staging of the Spanish comedia did not begin until the late 1950s, Vidler underlines the fact that the first studies dedicated to the staging of Spanish comedia were mainly based on deductive techniques and the gathering of documentary evidence provided by lease agreements, company ledgers and repair orders. Readers will learn to better appreciate Spanish Golden Age Drama and will also be able to enjoy the actual performance of each play, seeing the props, the movements of the actors, and the imaginary of physical theatrical space with new lenses. Above all they will be able to better grasp a culture and world's view very different form their own. - Manuel Delgado, Program Director, Bucknell en Espana, Bucknell University, USA This book is an excellent analysis of the theories and staging practices of Spanish Golden Age Drama. After observing that research of the staging of the Spanish comedia did not begin until the late 1950s, Vidler underlines the fact that the first studies dedicated to the staging of Spanish comedia were mainly based on deductive techniques and the gathering of documentary evidence provided by lease agreements, company ledgers, and repair orders. Readers will learn to better appreciate Spanish Golden Age Drama and will also be able to enjoy the actual performance of each play, seeing the props, the movements of the actors, and the imaginary of physical theatrical space with a new lens. Above all, they will be able to better grasp a culture and worldview very different form their own. - Manuel Delgado, Program Director, Bucknell en Espana, Bucknell University, USA Author InformationLaura Vidler is Professor of Spanish and Chair of Modern Languages and Linguistics at the University of South Dakota, USA Tab Content 6Author Website:Countries AvailableAll regions |