Performance and Identity in Irish Stand-Up Comedy: The Comic 'i'

Author:   S. Colleary
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2015
ISBN:  

9781349465903


Pages:   209
Publication Date:   01 January 2015
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Performance and Identity in Irish Stand-Up Comedy: The Comic 'i'


Overview

One of the cultural phenomena to occur in Ireland in the last two decades has been the highly successful growth of stand-up comedy as a popular entertainment genre. This book examines stand-up comedy from the perspective of the narrated self, through the prism of the fabricated comedy persona, including Tommy Tiernan, Dylan Moran and Maeve Higgins.

Full Product Details

Author:   S. Colleary
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2015
Weight:   0.286kg
ISBN:  

9781349465903


ISBN 10:   1349465909
Pages:   209
Publication Date:   01 January 2015
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction; The Warm Up 1. The Trailblazers: Vaudeville, Music Hall and Hibernian Varieties 2. The Comic 'i' 3. Messages 4. Everybody Knows That the Dice is Loaded 5. Revenge of the Buckteeth Girl Final Remarks Appendix Bibliography Index

Reviews

'A lively and interesting book that provides a much-needed examination of Irish stand-up comedy. The work of important comics like Dylan Moran, Tommy Tiernan and Maeve Higgins is explained in relation to Ireland's rich storytelling culture, and the author's own prose is fittingly wry and whimsical which only adds to our enjoyment.' - Dr Oliver Double, University of Kent, UK


Author Information

Susanne Colleary is Assistant Lecturer/Practitioner in the Humanities Department at Sligo Institute of Technology (SIT) and as Adjunct Lecturer in Trinity College Dublin, Ireland. Her previous publications include chapters in The Theatre of Conor McPherson (ed. Jordan & Chambers, 2012), Performing Feminisms (ed. Fitzpatrick, 2012) and For the Sake of Sanity: doing things with humour in Irish performance (ed. Weitz, 2014). She has worked as an actor in both amateur and professional fields and has published articles on Irish theatre, stand-up comedy and televisual satire. She is currently working on practice-based research focused on contemporary and historicised understandings of Irish popular theatre and performance.

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