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OverviewFull Product DetailsAuthor: J. ThompsonPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.50cm , Length: 21.60cm Weight: 0.425kg ISBN: 9780230221604ISBN 10: 0230221602 Pages: 205 Publication Date: 28 April 2009 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsContents Acknowledgments PART I: THE END OF EFFECT Introduction: Hedonism is a Bunker Incidents of Cutting and Chopping The End of the Story? Academic Scriptwriters and Bodily Affects PART II: PERFORMANCE AFFECTS Performance Affects: A Kind of Triumph The Call of Beauty: An Affective Invitation About Face: Disturbing the Fabric of the Sensible Conclusion: Let Them Slide Endnotes Bibliography IndexReviews'Drawing on his own workshops in Sri Lanka in 2000 and research in Rwandan prisons, Thompson builds a moving and often disturbing picture of how theatre can be used for political ends' - What's On Stage.com 'Performance Affects, focusing on the aesthetics and politics of performance in sites of war, disaster, and crisis, will be of immediate interest to academics writing and working in and around those settings and in the applied theatre field. The book provides a rich, complex, and theoretically aligned set of ideas and contributions to discourses of theatre performance in political contexts.' - Sheila Preston, New Theatre Quarterly 'The strength of the study stems from the sensitive, insightful and extremely self-reflexive observations from Thompson's work as a practitioner and participant in applied theatre projects in Sri Lanka and Rwanda... His study is theoretically eclectic, and yet refreshingly non-presumptuous... Thompson makes a consistent, sincere and timely argument.' - Sruti Bala, Theatre Research International 'This book is bold, admirable, moving, lucid and persuasive, and its argument for an affective turn in the practice and scholarship of applied theatre is already, fundamentally, changing them.' - Jen Harvie, Research in Drama Education 'Performance Affects is a timely, eloquent and urgent call to theatre makers and academics working in the field of applied theatre to interrogate the existing critical discourses and political aspirations of contemporary practices and to develop new practical and theoretical vocabularies to advance the field...Performance Affects offers an original and important contribution to applied theatre by challenging, critiquing and championing the aesthetic and political aspirations of work. This book will be an invaluable addition to the practical and theoretical development of the field.' - Caoimhe McAvinchey, Contemporary Theatre Review 'Drawing on his own workshops in Sri Lanka in 2000 and research in Rwandan prisons, Thompson builds a moving and often disturbing picture of how theatre can be used for political ends' - What's On Stage.com Author InformationAuthor Website: http://www.guardian.co.uk/education/2009/apr/14/theatre-prisons-probation-james-thompsonJAMES THOMPSON Professor of Applied and Social Theatre at the University of Manchester, UK, Director of In Place of War and a Director of the Centre for Applied Theatre Research. He is author of Drama Workshops for Anger Management and Offending Behaviour (1999), Applied Theatre: Bewilderment and Beyond (2003), Digging Up Stories: Applied Theatre, Performance and War and with Jenny Hughes and Michael Balfour, Performance In Place of War (2009). Tab Content 6Author Website: http://www.guardian.co.uk/education/2009/apr/14/theatre-prisons-probation-james-thompsonCountries AvailableAll regions |