Full Product Details
Author: Grant Olwage (Music Historian and Lecturer, Music Historian and Lecturer, Wits School of Arts, University of the Witwatersrand, Johannesburg, South Africa)
Publisher: Oxford University Press Inc
Imprint: Oxford University Press Inc
Dimensions:
Width: 23.50cm
, Height: 2.50cm
, Length: 15.60cm
Weight: 0.590kg
ISBN: 9780197637470
ISBN 10: 0197637477
Pages: 374
Publication Date: 01 March 2024
Audience:
General/trade
,
General
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
"<""The key to understanding Paul Robeson's global humanitarian legacy and cosmopolitan musical imagination, Grant Olwage proposes, can be found by listening to his vocal intelligence, technique, and music-historical awareness. Bold, clear, lyrical, deeply researched and including new archival material, Olwage's polyvocal narrative follows Robeson's 'voices' across continents.>"" - Nina Eidsheim, author of The Race of Sound: Listening, Timbre, and Vocality in African American Music"
“The key to understanding Paul Robeson's global humanitarian legacy and cosmopolitan musical imagination, Grant Olwage proposes, can be found by listening to his vocal intelligence, technique, and music-historical awareness. Bold, clear, lyrical, deeply researched and including new archival material, Olwage's polyvocal narrative follows Robeson's 'voices' across continents.” - Nina Eidsheim, author of The Race of Sound: Listening, Timbre, and Vocality in African American Music
"<""The key to understanding Paul Robeson's global humanitarian legacy and cosmopolitan musical imagination, Grant Olwage proposes, can be found by listening to his vocal intelligence, technique, and music-historical awareness. Bold, clear, lyrical, deeply researched and including new archival material, Olwage's polyvocal narrative follows Robeson's 'voices' across continents.>"" - Nina Eidsheim, author of The Race of Sound: Listening, Timbre, and Vocality in African American Music The key to understanding Paul Robeson's global humanitarian legacy and cosmopolitan musical imagination, Grant Olwage proposes, can be found by listening to his vocal intelligence, technique, and music-historical awareness. Bold, clear, lyrical, deeply researched and including new archival material, Olwage's polyvocal narrative follows Robeson's 'voices' across continents. * Nina Eidsheim, Author of The Race of Sound: Listening, Timbre, and Vocality in African American Music. *"
Author Information
Grant Olwage is a music historian and lecturer in the Wits School of Arts, University of the Witwatersrand, Johannesburg, South Africa. He is the editor of Composing Apartheid and has written extensively on the Black voice, race, choral cultures, and coloniality. His writing on Paul Robeson's singing, voice, and musical arts has appeared widely.
