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Author:   Gerhard Nierhaus
Publisher:   Springer
Imprint:   Springer
Edition:   Softcover reprint of the original 1st ed. 2015
Dimensions:   Width: 15.50cm , Height: 2.20cm , Length: 23.50cm
Weight:   6.496kg
ISBN:  

9789402400922

ISBN 10:   9402400923
Pages:   421
Publication Date:   06 October 2016
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Composer’s Projects.- Elisabeth Harnik/Improvisational Re-Assemblies.- Clemens Nachtmann/Forbidding Harmonies.- Eva Reiter/Wire Tapping the Machine.- Clemens Gadenstätter/Hidden Grammars.- Dimitri Papageorgiou/Interlocking and Scaling.- Katharina Klement/Transformation and Morphing.- Orestis Toufektsis/Chords in a Black Box.- Alexander Stankovski/Mirrors within Mirrors.- Matthias Sköld/A Topography of Personal Preferences.- Djuro Zivkovic/Different Tones.- Bart Vanhecke/Straightening the Tower of Pisa.- Peter Lackner/Tropical Investigations.- Interdisciplinary Contributions.- Artistic Research in/as Composition: Some Case Notes; D. Crispin.- In Re: Experimental Education; W.  Brooks.- Artistic Research and the Creative Process: The Joys and Perils of Self-Analysis; N. Donin.- Musicking Beyond Algorithms; S. Bhagwati.- Boulez’s Creative Analysis: an Arcane Compositional Strategy in the Light of Mathematical Music Theory; G. Mazzola.- Algorithmic Music Compositions; D. Cope.- Contributing Researchers.

Reviews

This is a useful read about composers `collaborating' with computational techniques in their musical work. ... there is much of interest to be discovered in this fascinating collection of case studies. ... The contribution of this book is to explore (in detail) how different composers and computers might fruitfully collaborate and enhance each other's creative capabilities, from a range of perspectives. (Anna Jordanous, Computing Reviews, December, 2015)

This is a useful read about composers 'collaborating' with computational techniques in their musical work. ... there is much of interest to be discovered in this fascinating collection of case studies. ... The contribution of this book is to explore (in detail) how different composers and computers might fruitfully collaborate and enhance each other's creative capabilities, from a range of perspectives. (Anna Jordanous, Computing Reviews, December, 2015)

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