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OverviewFull Product DetailsAuthor: Marilyn CharlesPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.20cm , Height: 1.00cm , Length: 22.90cm Weight: 0.294kg ISBN: 9781138005716ISBN 10: 1138005711 Pages: 204 Publication Date: 11 September 2014 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsMeaning and Primary Experience. Patterns: Unconscious Shapings of Self and Experience. Autosensuous Shapes: Prototypes for Creative Forms. Nonphysical Touch: Modes of Containment and Communication Within the Analytic Process. Foundations of Creative Expression: Primary Experience as Creative Potential. The Language of the Body: Allusions to Self-Experience in Women's Poetry.ReviewsReading Charles's book is like being invited to make meaning on evermore complex levels. The chapters are like movements in a symphony, building on each other, helping readers to make meaning of theorists like Matte-Blanco, Bion, and Milner through rich clinical examples. - Susan E. Damattos, Ph.D. To all those brow-knitted surveyors of Bion and object relations theoritsts (and we are many) comes Marilyn Charles to clarify, interpret, elaborate, and apply in new ways the value of their contributions. In her characteristically gracious prose, Charles elucidates the essential patterns of psychic development, how these patterns become distorted and disrupted, and how therapy can be restorative. It is no surprise, given the value Charles places on pre- and non-verbal patterns, the she reaches to comprehend the female body - and, similarly, given the value she places on language and prosody, that she does so through analyses of the work of female poets, notably Adrienne Rich and Sylvia Plath. Yet, always the clinician, she remains clear-eyed about work with patients and helps us think about what we do in new and surprising ways. - Douglas H. Ingram, Editor, JAAP Scintillating, breathtaking, awesome - such are the words that come to mind in characterizing Marilyn Charles's writing as one is scorched by domains of psychic reality that her words ignite. Patterns is a paean to creativity from the depths linked to loving appreciation of sensory reality. - Michael Eigen, Author, Damaged Bodies Charles . . . seeks to explore this prelexical period and unravel its epistemological and communicative mysteries. She brings special tools to this task. Not only is she a practicing psychoanalyst; she is also a gifted poet and artist and brings all three talents to bear in order to shed light on how the infant organizes and communicates his or her experiences. . . . This is not a work on esthetics so much as it is an esthetic work on psychoanalysis, one that adds dimension, clarity, and richness to it. - James S. Grotstein, Ph.D., Author, Who is the Dreamer, Who Dreams the Dream? (Analytic Press, 2000) Reading Charles's book is like being invited to make meaning on evermore complex levels. The chapters are like movements in a symphony, building on each other, helping readers to make meaning of theorists like Matte-Blanco, Bion, and Milner through rich clinical examples. - Susan E. Damattos, Ph.D. To all those brow-knitted surveyors of Bion and object relations theoritsts (and we are many) comes Marilyn Charles to clarify, interpret, elaborate, and apply in new ways the value of their contributions. In her characteristically gracious prose, Charles elucidates the essential patterns of psychic development, how these patterns become distorted and disrupted, and how therapy can be restorative. It is no surprise, given the value Charles places on pre- and non-verbal patterns, the she reaches to comprehend the female body - and, similarly, given the value she places on language and prosody, that she does so through analyses of the work of female poets, notably Adrienne Rich and Sylvia Plath. Yet, always the clinician, she remains clear-eyed about work with patients and helps us think about what we do in new and surprising ways. - Douglas H. Ingram, Editor, JAAP Scintillating, breathtaking, awesome - such are the words that come to mind in characterizing Marilyn Charles's writing as one is scorched by domains of psychic reality that her words ignite. Patterns is a paean to creativity from the depths linked to loving appreciation of sensory reality. - Michael Eigen, Author, Damaged Bodies Charles ... seeks to explore this prelexical period and unravel its epistemological and communicative mysteries. She brings special tools to this task. Not only is she a practicing psychoanalyst; she is also a gifted poet and artist and brings all three talents to bear in order to shed light on how the infant organizes and communicates his or her experiences... This is not a work on esthetics so much as it is an esthetic work on psychoanalysis, one that adds dimension, clarity, and richness to it. - James S. Grotstein, Ph.D., Author, Who is the Dreamer, Who Dreams the Dream? (Analytic Press, 2000) Author InformationMarilyn Charles, Ph.D., is a Training and Supervising Analyst with the Michigan Psychoanalytic Council and Adjunct Professor of Clinical Psychology at Michigan State University. A poet and artist herself, Dr. Charles has a special interest in the creative process and, in her clinical practice, works extensively with artists, writers, and musicians. Tab Content 6Author Website:Countries AvailableAll regions |