Patronage and Dynasty: The Rise of the della Rovere in Renaissance Italy

Author:   Ian F. Verstegen (Penn)
Publisher:   Truman State University Press
Volume:   77
ISBN:  

9781931112604


Pages:   240
Publication Date:   01 March 2007
Format:   Hardback
Availability:   Available To Order   Availability explained
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Patronage and Dynasty: The Rise of the della Rovere in Renaissance Italy


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Author:   Ian F. Verstegen (Penn)
Publisher:   Truman State University Press
Imprint:   Truman State University Press
Volume:   77
Dimensions:   Width: 17.80cm , Height: 2.30cm , Length: 25.40cm
Weight:   0.703kg
ISBN:  

9781931112604


ISBN 10:   1931112606
Pages:   240
Publication Date:   01 March 2007
Audience:   General/trade ,  Professional and scholarly ,  General ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. -SirReadaLot.org Art historians look at the della Rovere family as a whole-from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino-as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. -Book News It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. -Renaissance Quarterly Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. -Monumenta Germaniae Historica


The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. --SirReadaLot.org Art historians look at the della Rovere family as a whole--from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino--as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. --Book News It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. --Renaissance Quarterly Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. --Monumenta Germaniae Historica


The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. --SirReadaLot.org It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. --Renaissance Quarterly Art historians look at the della Rovere family as a whole--from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino--as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. --Book News Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. --Monumenta Germaniae Historica


Art historians look at the della Rovere family as a whole--from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino--as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. --Book News It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. --Renaissance Quarterly The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. --SirReadaLot.org Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. --Monumenta Germaniae Historica


The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. --SirReadaLot.org Art historians look at the della Rovere family as a whole--from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino--as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. --Book News Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. --Monumenta Germaniae Historica It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. --Renaissance Quarterly


The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. -SirReadaLot.org Art historians look at the della Rovere family as a whole-from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino-as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. -Book News It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. -Renaissance Quarterly Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. -Monumenta Germaniae Historica


Author Information

Ian Verstegen studied art with Rudolf Arnheim at the University of Michigan, which led to studies in experimental psychology at Rutgers University. He received his PhD with Marcia Hall at Temple University. He is currently the Associate Director of Visual Studies at the University of Pennsylvania.

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