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OverviewFull Product DetailsAuthor: Ian F. Verstegen (Penn)Publisher: Truman State University Press Imprint: Truman State University Press Volume: 77 Dimensions: Width: 17.80cm , Height: 2.30cm , Length: 25.40cm Weight: 0.703kg ISBN: 9781931112604ISBN 10: 1931112606 Pages: 240 Publication Date: 01 March 2007 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsThe various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. -SirReadaLot.org Art historians look at the della Rovere family as a whole-from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino-as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. -Book News It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. -Renaissance Quarterly Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. -Monumenta Germaniae Historica The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. --SirReadaLot.org Art historians look at the della Rovere family as a whole--from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino--as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. --Book News It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. --Renaissance Quarterly Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. --Monumenta Germaniae Historica The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. --SirReadaLot.org It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. --Renaissance Quarterly Art historians look at the della Rovere family as a whole--from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino--as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. --Book News Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. --Monumenta Germaniae Historica Art historians look at the della Rovere family as a whole--from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino--as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. --Book News It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. --Renaissance Quarterly The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. --SirReadaLot.org Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. --Monumenta Germaniae Historica The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. --SirReadaLot.org Art historians look at the della Rovere family as a whole--from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino--as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. --Book News Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. --Monumenta Germaniae Historica It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. --Renaissance Quarterly The various essays collected in Patronage and Dynasty taken together chart the ways this family laid claim to a kind of cultural and enlightened nobility as time went by, carving a niche for itself through patronage of the arts. The book offers a unique and thorough study of the patron-artist relationship as well as insight into how a notable family constituted its identity over time. -SirReadaLot.org Art historians look at the della Rovere family as a whole-from Pope Sixtus IV della Rovere to Francesco Maria II, last Duke of Urbino-as they faced distinct but not uncommon issues at any given time during the dynasty's two-century floriat. -Book News It is fascinating to see, through the various branches of one family, the breadth and diversity of the types of patronage undertaken.... As such, [the book] does its job well, engaging with current debates on a number of different levels and further extending our understanding of the complexities of Renaissance patronage. -Renaissance Quarterly Overall, the book offers a bright palette of historically painted individual art historical studies, which is indeed a many-sided (although in no ways exhaustively rendered) picture of the patronage of the della Rovere. -Monumenta Germaniae Historica Author InformationIan Verstegen studied art with Rudolf Arnheim at the University of Michigan, which led to studies in experimental psychology at Rutgers University. He received his PhD with Marcia Hall at Temple University. He is currently the Associate Director of Visual Studies at the University of Pennsylvania. Tab Content 6Author Website:Countries AvailableAll regions |