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"""Dawdy's storming new book is about a hurricane from the near past. But at a moment when so much archaeological thinking is dead in the water, it is a straw in the wind suggesting that the new, vital, cross-disciplinary contributions that have started to condense in one disciplinary subfield - contemporary archaeology - are reaching a new velocity. Her 'unapologetically humanist' approach to natural disaster, physical heritage, material things and the profane strata of contemporary life means that Patina is not only a landmark volume for anthropological archaeology, historic preservation and material culture studies, but also a welcome antidote to the tired trope of ruination.""-- ""Sculpture Journal"" ""Taking New Orleans and the legacy of Katrina as its center, this book bridges several disciplines: archaeology, cultural heritage and tourism, anthropology, and social theory are all involved to develop Dawdy's construction of ""patina."" There is much here on the urban archaeology of New Orleans and on local understandings of the material residue of the city's past, but the real focus is social theory and, specifically, how to understand the power of objects in peoples' lives. Even while taking theory as a focus, the writing is clear, and the extensive examples Dawdy draws from both local archaeology and interviews to help anchor the argument in the material world. It will appeal to archaeologists and anthropologists at the graduate and professional levels, and would be suitable for undergraduates with a bit of grounding in those fields.""-- ""Choice"" ""Patina draws the reader in and doesn't let go. At once evocative and analytical, this book operates at two deftly interwoven levels, as both a portrait of the city of New Orleans told through its material culture and a provocative theoretical argument. Patina is refreshingly free of academic clutter but richly patinated with layers of subtle thought. Historical archaeology will never be the same after it.""-- ""Mary Weismantel, Northwestern University"" ""Patina is a wonderfully original and inspiring piece of work, which challenges the conventional approaches of archaeology, anthropology, and history. Dawdy succeeds in capturing the memory of an extraordinary place that encapsulates many contradictions and tensions within American identity: the city of New Orleans. With this book, Dawdy offers a major contribution to the growing theoretical foundations of this alternative approach of the past; which acknowledges the present to be the only point where from the past can be accurately explored and understood. Patina is a milestone in the new academic focus on historical thought--a pioneer work which will set the bar for future specialists in this growing field.""-- ""Laurent Olivier, National Archaeological Museum of Saint-Germain-en-Laye"" ""Dawdy's Patina is a book that creates concepts. Bringing historical archaeology into conversation with anthropology, this brilliant book provides a beautifully authored, nuanced, and detailed ethnographic account of the layers of human and non-human entanglement that make up the space-time of both pre- and post-Katrina New Orleans. Dawdy's archaeo-anthropological query excavates not only material objects, but also concepts out of this city's layers of built and destroyed environment. In the process, her book transforms New Orleans into an urban space-time generative of ideas that I am certain will be of great comparative interest further afield.""-- ""Yael Navaro, University of Cambridge"" ""Dawdy's vivid and original book provides new ways of understanding the connections between aesthetics, time, and late modern social worlds. Richly grounded both in both its empirical and philosophical material, Patina can be read simultaneously as a social and political critique of late capitalism and a call for a new kind of archaeology which is attentive not only to deep pasts, but to the ways in which they intervene and surface in the present. Dawdy's powerful vision of a profane archaeological methodology will resonate strongly across the humanities and social sciences.""-- ""Rodney Harrison, UCL Institute of Archaeology"" ""Absences have often been overlooked by archaeologists in their focus on what has been preserved. But in Patina Dawdy puts due attention on patina (indicating loss and pastness), storytelling (bringing the past to life), fakes and invented traditions (pasts made-up), and even ghosts (haunted sites and buildings)... This past is never really past but very present indeed--so Dawdy discusses in some detail how New Orleans was made old in subsequent presents and how Katrina ruined some of that antiquity... [Patina] challeng[es] us profoundly in how we think about heritage now and point[s] us in new directions for how we should think about managing heritage in the future.""-- ""Historical Archaeology"" (4/17/2017 12:00:00 AM)"

Dawdy's storming new book is about a hurricane from the near past. But at a moment when so much archaeological thinking is dead in the water, it is a straw in the wind suggesting that the new, vital, cross-disciplinary contributions that have started to condense in one disciplinary subfield - contemporary archaeology - are reaching a new velocity. Her 'unapologetically humanist' approach to natural disaster, physical heritage, material things and the profane strata of contemporary life means that Patina is not only a landmark volume for anthropological archaeology, historic preservation and material culture studies, but also a welcome antidote to the tired trope of ruination. -- Sculpture Journal Taking New Orleans and the legacy of Katrina as its center, this book bridges several disciplines: archaeology, cultural heritage and tourism, anthropology, and social theory are all involved to develop Dawdy's construction of patina. There is much here on the urban archaeology of New Orleans and on local understandings of the material residue of the city's past, but the real focus is social theory and, specifically, how to understand the power of objects in peoples' lives. Even while taking theory as a focus, the writing is clear, and the extensive examples Dawdy draws from both local archaeology and interviews to help anchor the argument in the material world. It will appeal to archaeologists and anthropologists at the graduate and professional levels, and would be suitable for undergraduates with a bit of grounding in those fields. -- Choice Patina draws the reader in and doesn't let go. At once evocative and analytical, this book operates at two deftly interwoven levels, as both a portrait of the city of New Orleans told through its material culture and a provocative theoretical argument. Patina is refreshingly free of academic clutter but richly patinated with layers of subtle thought. Historical archaeology will never be the same after it. -- Mary Weismantel, Northwestern University (4/17/2017 12:00:00 AM) Patina is a wonderfully original and inspiring piece of work, which challenges the conventional approaches of archaeology, anthropology, and history. Dawdy succeeds in capturing the memory of an extraordinary place that encapsulates many contradictions and tensions within American identity: the city of New Orleans. With this book, Dawdy offers a major contribution to the growing theoretical foundations of this alternative approach of the past; which acknowledges the present to be the only point where from the past can be accurately explored and understood. Patina is a milestone in the new academic focus on historical thought--a pioneer work which will set the bar for future specialists in this growing field. -- Laurent Olivier, National Archaeological Museum of Saint-Germain-en-Laye (4/17/2017 12:00:00 AM) Absences have often been overlooked by archaeologists in their focus on what has been preserved. But in Patina Dawdy puts due attention on patina (indicating loss and pastness), storytelling (bringing the past to life), fakes and invented traditions (pasts made-up), and even ghosts (haunted sites and buildings)... This past is never really past but very present indeed--so Dawdy discusses in some detail how New Orleans was made old in subsequent presents and how Katrina ruined some of that antiquity... [Patina] challeng[es] us profoundly in how we think about heritage now and point[s] us in new directions for how we should think about managing heritage in the future. -- Historical Archaeology (4/17/2017 12:00:00 AM) Dawdy's Patina is a book that creates concepts. Bringing historical archaeology into conversation with anthropology, this brilliant book provides a beautifully authored, nuanced, and detailed ethnographic account of the layers of human and non-human entanglement that make up the space-time of both pre- and post-Katrina New Orleans. Dawdy's archaeo-anthropological query excavates not only material objects, but also concepts out of this city's layers of built and destroyed environment. In the process, her book transforms New Orleans into an urban space-time generative of ideas that I am certain will be of great comparative interest further afield. -- Yael Navaro, University of Cambridge (4/17/2017 12:00:00 AM) Dawdy's vivid and original book provides new ways of understanding the connections between aesthetics, time, and late modern social worlds. Richly grounded both in both its empirical and philosophical material, Patina can be read simultaneously as a social and political critique of late capitalism and a call for a new kind of archaeology which is attentive not only to deep pasts, but to the ways in which they intervene and surface in the present. Dawdy's powerful vision of a profane archaeological methodology will resonate strongly across the humanities and social sciences. -- Rodney Harrison, UCL Institute of Archaeology (4/17/2017 12:00:00 AM)

Dawdy's storming new book is about a hurricane from the near past. But at a moment when so much archaeological thinking is dead in the water, it is a straw in the wind suggesting that the new, vital, cross-disciplinary contributions that have started to condense in one disciplinary subfield - contemporary archaeology - are reaching a new velocity. Her 'unapologetically humanist' approach to natural disaster, physical heritage, material things and the profane strata of contemporary life means that Patina is not only a landmark volume for anthropological archaeology, historic preservation and material culture studies, but also a welcome antidote to the tired trope of ruination. -- Sculpture Journal Taking New Orleans and the legacy of Katrina as its center, this book bridges several disciplines: archaeology, cultural heritage and tourism, anthropology, and social theory are all involved to develop Dawdy's construction of patina. There is much here on the urban archaeology of New Orleans and on local understandings of the material residue of the city's past, but the real focus is social theory and, specifically, how to understand the power of objects in peoples' lives. Even while taking theory as a focus, the writing is clear, and the extensive examples Dawdy draws from both local archaeology and interviews to help anchor the argument in the material world. It will appeal to archaeologists and anthropologists at the graduate and professional levels, and would be suitable for undergraduates with a bit of grounding in those fields. -- Choice Dawdy's vivid and original book provides new ways of understanding the connections between aesthetics, time, and late modern social worlds. Richly grounded both in both its empirical and philosophical material, Patina can be read simultaneously as a social and political critique of late capitalism and a call for a new kind of archaeology which is attentive not only to deep pasts, but to the ways in which they intervene and surface in the present. Dawdy's powerful vision of a profane archaeological methodology will resonate strongly across the humanities and social sciences. -- Rodney Harrison, UCL Institute of Archaeology (4/17/2017 12:00:00 AM) Dawdy's Patina is a book that creates concepts. Bringing historical archaeology into conversation with anthropology, this brilliant book provides a beautifully authored, nuanced, and detailed ethnographic account of the layers of human and non-human entanglement that make up the space-time of both pre- and post-Katrina New Orleans. Dawdy's archaeo-anthropological query excavates not only material objects, but also concepts out of this city's layers of built and destroyed environment. In the process, her book transforms New Orleans into an urban space-time generative of ideas that I am certain will be of great comparative interest further afield. -- Yael Navaro, University of Cambridge (4/17/2017 12:00:00 AM) Absences have often been overlooked by archaeologists in their focus on what has been preserved. But in Patina Dawdy puts due attention on patina (indicating loss and pastness), storytelling (bringing the past to life), fakes and invented traditions (pasts made-up), and even ghosts (haunted sites and buildings)... This past is never really past but very present indeed--so Dawdy discusses in some detail how New Orleans was made old in subsequent presents and how Katrina ruined some of that antiquity... [Patina] challeng[es] us profoundly in how we think about heritage now and point[s] us in new directions for how we should think about managing heritage in the future. -- Historical Archaeology (4/17/2017 12:00:00 AM) Patina is a wonderfully original and inspiring piece of work, which challenges the conventional approaches of archaeology, anthropology, and history. Dawdy succeeds in capturing the memory of an extraordinary place that encapsulates many contradictions and tensions within American identity: the city of New Orleans. With this book, Dawdy offers a major contribution to the growing theoretical foundations of this alternative approach of the past; which acknowledges the present to be the only point where from the past can be accurately explored and understood. Patina is a milestone in the new academic focus on historical thought--a pioneer work which will set the bar for future specialists in this growing field. -- Laurent Olivier, National Archaeological Museum of Saint-Germain-en-Laye (4/17/2017 12:00:00 AM) Patina draws the reader in and doesn't let go. At once evocative and analytical, this book operates at two deftly interwoven levels, as both a portrait of the city of New Orleans told through its material culture and a provocative theoretical argument. Patina is refreshingly free of academic clutter but richly patinated with layers of subtle thought. Historical archaeology will never be the same after it. -- Mary Weismantel, Northwestern University (4/17/2017 12:00:00 AM)

Taking New Orleans and the legacy of Katrina as its center, this book bridges several disciplines: archaeology, cultural heritage and tourism, anthropology, and social theory are all involved to develop Dawdy's construction of patina. There is much here on the urban archaeology of New Orleans and on local understandings of the material residue of the city's past, but the real focus is social theory and, specifically, how to understand the power of objects in peoples' lives. Even while taking theory as a focus, the writing is clear, and the extensive examples Dawdy draws from both local archaeology and interviews to help anchor the argument in the material world. It will appeal to archaeologists and anthropologists at the graduate and professional levels, and would be suitable for undergraduates with a bit of grounding in those fields. --Choice Dawdy's storming new book is about a hurricane from the near past. But at a moment when so much archaeological thinking is dead in the water, it is a straw in the wind suggesting that the new, vital, cross-disciplinary contributions that have started to condense in one disciplinary subfield - contemporary archaeology - are reaching a new velocity. Her 'unapologetically humanist' approach to natural disaster, physical heritage, material things and the profane strata of contemporary life means that Patina is not only a landmark volume for anthropological archaeology, historic preservation and material culture studies, but also a welcome antidote to the tired trope of ruination. --Sculpture Journal Dawdy's vivid and original book provides new ways of understanding the connections between aesthetics, time, and late modern social worlds. Richly grounded both in both its empirical and philosophical material, Patina can be read simultaneously as a social and political critique of late capitalism and a call for a new kind of archaeology which is attentive not only to deep pasts, but to the ways in which they intervene and surface in the present. Dawdy's powerful vision of a profane archaeological methodology will resonate strongly across the humanities and social sciences. --Rodney Harrison, UCL Institute of Archaeology Patina draws the reader in and doesn't let go. At once evocative and analytical, this book operates at two deftly interwoven levels, as both a portrait of the city of New Orleans told through its material culture and a provocative theoretical argument. Patina is refreshingly free of academic clutter but richly patinated with layers of subtle thought. Historical archaeology will never be the same after it. --Mary Weismantel, Northwestern University Patina is a wonderfully original and inspiring piece of work, which challenges the conventional approaches of archaeology, anthropology, and history. Dawdy succeeds in capturing the memory of an extraordinary place that encapsulates many contradictions and tensions within American identity: the city of New Orleans. With this book, Dawdy offers a major contribution to the growing theoretical foundations of this alternative approach of the past; which acknowledges the present to be the only point where from the past can be accurately explored and understood. Patina is a milestone in the new academic focus on historical thought--a pioneer work which will set the bar for future specialists in this growing field. --Laurent Olivier, National Archaeological Museum of Saint-Germain-en-Laye Absences have often been overlooked by archaeologists in their focus on what has been preserved. But in Patina Dawdy puts due attention on patina (indicating loss and pastness), storytelling (bringing the past to life), fakes and invented traditions (pasts made-up), and even ghosts (haunted sites and buildings)... This past is never really past but very present indeed--so Dawdy discusses in some detail how New Orleans was made old in subsequent presents and how Katrina ruined some of that antiquity... [Patina] challeng[es] us profoundly in how we think about heritage now and point[s] us in new directions for how we should think about managing heritage in the future. -- (04/17/2017) Dawdy's Patina is a book that creates concepts. Bringing historical archaeology into conversation with anthropology, this brilliant book provides a beautifully authored, nuanced, and detailed ethnographic account of the layers of human and non-human entanglement that make up the space-time of both pre- and post-Katrina New Orleans. Dawdy's archaeo-anthropological query excavates not only material objects, but also concepts out of this city's layers of built and destroyed environment. In the process, her book transforms New Orleans into an urban space-time generative of ideas that I am certain will be of great comparative interest further afield. --Yael Navaro, University of Cambridge

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Shannon Lee Dawdy is associate professor of anthropology at the University of Chicago. She was awarded a MacArthur Genius Fellowship in 2010.

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