Passing Performances: Queer Readings of Leading Players in American Theater History

Author:   Robert A. Schanke ,  Kimberley Bell Marra
Publisher:   The University of Michigan Press
ISBN:  

9780472096817


Pages:   352
Publication Date:   23 October 1998
Format:   Hardback
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

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Passing Performances: Queer Readings of Leading Players in American Theater History


Overview

Passing Performances gathers a range of critical and biographical essays on notable personalities whose major contributions to the stage occurred before 1969, the year of the Stonewall riots that kicked off the gay rights movement in the United States. How these theater practitioners variously ""passed""-- i.e., managed unconventional sexual inclinations both on- and offstage--significantly determined the course of their personal and professional lives and thus the course of U.S. theater history. The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of ""true love"" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the ""lavender marriages"" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia. The volume also includes striking archival photographs of the performers and their performances, and an index to facilitate the cross-referencing of subjects' intersecting careers. Passing Performances will engage both general and academic readers interested in theater, gay and lesbian history, American studies, and biography. Robert A. Schanke is Professor of Theatre and Chair of the Division of Fine Arts, Central College, Iowa. Kim Marra is Associate Professor of Theatre Arts, University of Iowa.

Full Product Details

Author:   Robert A. Schanke ,  Kimberley Bell Marra
Publisher:   The University of Michigan Press
Imprint:   The University of Michigan Press
Dimensions:   Width: 15.20cm , Height: 2.70cm , Length: 22.90cm
Weight:   0.660kg
ISBN:  

9780472096817


ISBN 10:   0472096818
Pages:   352
Publication Date:   23 October 1998
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

Table of Contents

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Author Information

Robert A. Schanke is Professor of Theatre at Central College, Pella, Iowa and editor of the journal Theatre History Studies. His last book was Shattered Applause: The Lives of Eva Le Galliene. Visit Robert Schanke's website at http://www.mercedesdeacosta.com. Kim Marra is Associate Professor of Theatre Arts, University of Iowa, and book review editor for Theatre Survey.

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