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Full Product Details

Author:   Agnès Blandeau
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.10cm , Length: 22.90cm
Weight:   0.299kg
ISBN:  

9780786422470

ISBN 10:   0786422475
Pages:   218
Publication Date:   19 July 2006
Recommended Age:   From 18 years
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock  
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Table of Contents Preface      Introduction      I. THE FILM: AN ALTERNATIVE FORM OF TELLING, ANOTHER TEXTUAL ARCHITECTURE, AND DIFFERENT MEANINGS 1. I Racconti di Canterbury: The Film Text of The Canterbury Tales      2. Placing I Racconti di Canterbury in Perspective with The Decameron      3. Il Fiore delle mille e una notte: The Last Panel of the Triptych      II. THE ADAPTATION: A CLOSE ENCOUNTER OF THE THIRD KIND 4. The Shock of Pasolini’s Trilogy      5. A Trans-semiotization: The Subversive Intention in I Racconti di Canterbury      6. Eloquent Pictures      7. A Defense of Adaptation      Conclusion      Appendix 1: Chart Showing Narrative Structure of I Racconti di Canterbury in Text and Film      Appendix 2: Chart Showing Narrative Structure of The Decameron in Text and Film      Appendix 3: Chart Showing Echoes and Correspondences Between I Racconti di Canterbury and The Decameron      Notes      Bibliography      Index     

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Author Information

Agnès Blandeau has published articles on The Canterbury Tales and their adaptation on film. An associate professor at Nantes University, she lives in France.

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