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This fascinating and simply fantastic book is a comprehensive record of Margaret Busby’s exceptional life story, unparalleled career and deep knowledge of black culture and literature, with many personal connections to the people who shaped it. It is an astonishing revelation to read of the myriad ways she has been at the centre of our culture through the ages - generously opening doors and changing the game through her work as a publisher and editor and providing ongoing cultural and literary context and advocacy through her writings in the media. A true trailblazer, we all walk in the deep imprints of her footsteps -- Bernardine Evaristo A very special work of non-fiction from one of publishing's most iconic figures, Margaret Busby . . . From politics and publishing to her own childhood in Ghana and the circle of writers who surround her, this is an absolute 2026 highlight * Elle * Margaret has been a cheerleader, instigator, organiser, defender and celebrator of black arts for the past 50 years, shouting about us from the rooftops, even back when few people cared to listen . . . We can because she did is a cliché but in Margaret's case it is both true and no exaggeration. She helped change the landscape of both UK publishing and arts coverage and so many Black British artists owe her a debt. I know I do -- Zadie Smith In Part of The Story Margaret Busby quotes Victor Hugo on Ngugi Wa Thiong’o “There is nothing like a dream to create the future” but the quote could equally apply to Busby herself. She had the dream that created the future. She is one in a million, a pivotal figure in the literary world, a champion of the unheard, a fighter for literary excellence -- Lemn Sissay OBE Busby has shaped British cultural life for more than 50 years, from becoming the country’s first Black woman publisher to editing landmark anthologies that brought African and voices of the diaspora to the fore. Here she collects her own writings with reflections on politics, publishing and people, while recounting the experiences — childhood in Ghana, decades championing Black artists — that defined her life * Financial Times * As a collection, Part of the Story is witness testimony, a vibrant historical document and a collection of writings about a life of substance . . . Busby was writing long before 'equity and inclusion' was the hard fought for norm, before the culture wars of today. She writes of a time when black voices were well out in the cold, when black writers had to fight for every word published . . . It is because of a handful of people like Margaret Busby that today's contemporary British cannon is diverse at all. Read this book for many things: politics, publishing history, people, places and a time -- Monique Roffey This inspiring collection beautifully showcases Margaret Busby's pioneering work as a champion of literature -- Michèle Roberts Her ongoing contribution to our literary culture, often as a lone pilot in the early days has deep roots . . . Powerful, self-contained, pragmatic and visionary, she refused to let barriers stop her from pursuing a career in literature. As a pioneer, a trailblazer, and someone who has made history, she laid the ground for subsequent generations . . . For all the plaudits and her substantial, long-standing, consistent and hugely impressive career, Margaret remains one of the nicest people on the literary scene -- Bernardine Evaristo, from her speech awarding Margaret Bubsy the LBF Lifetime Achievement Award Margaret Busby wears her fame as a trail-blazer and 'daughter of Africa' lightly in this entertaining and erudite collection of writing. It is a testament to her wide-ranging talents, as well as to her status as a pioneer in the (still) white-dominated fields of publishing and journalism -- Lindsey Hilsum A deeply personal and fascinating curation of cultural writings that take us step by step through key moments of political intervention and the formation of a diasporic and international body of global writing -- Susheila Nasta

Margaret has been a cheerleader, instigator, organiser, defender and celebrator of black arts for the past 50 years, shouting about us from the rooftops, even back when few people cared to listen . . . We can because she did is a cliché but in Margaret's case it is both true and no exaggeration. She helped change the landscape of both UK publishing and arts coverage and so many Black British artists owe her a debt. I know I do -- Zadie Smith Her ongoing contribution to our literary culture, often as a lone pilot in the early days has deep roots . . . Powerful, self-contained, pragmatic and visionary, she refused to let barriers stop her from pursuing a career in literature. As a pioneer, a trailblazer, and someone who has made history, she laid the ground for subsequent generations . . . For all the plaudits and her substantial, long-standing, consistent and hugely impressive career, Margaret remains one of the nicest people on the literary scene -- Bernardine Evaristo As a collection, Part of the Story is witness testimony, a vibrant historical document and a collection of writings about a life of substance . . . Busby was writing long before 'equity and inclusion' was the hard fought for norm, before the culture wars of today. She writes of a time when black voices were well out in the cold, when black writers had to fight for every word published . . . It is because of a handful of people like Margaret Busy that today's contemporary British cannon is diverse at all. Read this book for many things: politics, publishing history, people, places and a time -- Monique Roffey Margaret has never lost sight of what is important, keeping the faith throughout. What a woman, what a warrior! -- Val Wilmer Britain's first black female publisher revolutionised literature – and never gave up . . . In her 20s, she set up her own company, publishing everyone from James Ellroy to the Worst Witch series, and changing Britain for the better, book by book . . . Her account [of publishing the first Allison & Busby book, The Spook Who Sat By the Door by Sam Greenlee] tells you much about Busby herself: her persistence; her appreciation of a quiet character who turns out to be radically subversive; her instinct that a thriller could carry a serious political argument as easily as a polemic; and, yes, her bravery * Guardian * Margaret Busby is a legend of British publishing . . . She championed important writers from a wide range of communities at a time no one else was doing so. Her taste was impeccable and she helped widen the scope of literatures available to the nation. She represents the fairness, good taste, and inclusivity that are qualities that ought to be part of the future of British publishing -- Ben Okri A trailblazer as well as an enlightener on all matters African . . . [Part of the Story] provides us with a rich insight into the writings and lives of great historical figures like CRL James and novelists like Roy Heath and several others with Caribbean, Afro-American or African Heritage -- Nuruddin Farah

Margaret has been a cheerleader, instigator, organiser, defender and celebrator of black arts for the past 50 years, shouting about us from the rooftops, even back when few people cared to listen . . . We can because she did is a cliché but in Margaret's case it is both true and no exaggeration. She helped change the landscape of both UK publishing and arts coverage and so many Black British artists owe her a debt. I know I do -- Zadie Smith Her ongoing contribution to our literary culture, often as a lone pilot in the early days has deep roots . . . Powerful, self-contained, pragmatic and visionary, she refused to let barriers stop her from pursuing a career in literature. As a pioneer, a trailblazer, and someone who has made history, she laid the ground for subsequent generations . . . For all the plaudits and her substantial, long-standing, consistent and hugely impressive career, Margaret remains one of the nicest people on the literary scene -- Bernardin Evaristo Britain's first black female publisher revolutionised literature – and never gave up . . . In her 20s, she set up her own company, publishing everyone from James Ellroy to the Worst Witch series, and changing Britain for the better, book by book . . . Her account [of publishing the first Allison & Busby book, The Spook Who Sat By the Door by Sam Greenlee] tells you much about Busby herself: her persistence; her appreciation of a quiet character who turns out to be radically subversive; her instinct that a thriller could carry a serious political argument as easily as a polemic; and, yes, her bravery * Guardian * Margaret Busby is a legend of British publishing . . . She championed important writers from a wide range of communities at a time no one else was doing so. Her taste was impeccable and she helped widen the scope of literatures available to the nation. She represents the fairness, good taste, and inclusivity that are qualities that ought to be part of the future of British publishing -- Ben Okri

Margaret has been a cheerleader, instigator, organiser, defender and celebrator of black arts for the past 50 years, shouting about us from the rooftops, even back when few people cared to listen . . . We can because she did is a cliché but in Margaret's case it is both true and no exaggeration. She helped change the landscape of both UK publishing and arts coverage and so many Black British artists owe her a debt. I know I do -- Zadie Smith Her ongoing contribution to our literary culture, often as a lone pilot in the early days has deep roots . . . Powerful, self-contained, pragmatic and visionary, she refused to let barriers stop her from pursuing a career in literature. As a pioneer, a trailblazer, and someone who has made history, she laid the ground for subsequent generations . . . For all the plaudits and her substantial, long-standing, consistent and hugely impressive career, Margaret remains one of the nicest people on the literary scene -- Bernardine Evaristo As a collection, Part of the Story is witness testimony, a vibrant historical document and a collection of writings about a life of substance . . . Busby was writing long before 'equity and inclusion' was the hard fought for norm, before the culture wars of today. She writes of a time when black voices were well out in the cold, when black writers had to fight for every word published . . . It is because of a handful of people like Margaret Busby that today's contemporary British cannon is diverse at all. Read this book for many things: politics, publishing history, people, places and a time -- Monique Roffey Margaret has never lost sight of what is important, keeping the faith throughout. What a woman, what a warrior! -- Val Wilmer Britain's first black female publisher revolutionised literature – and never gave up . . . In her 20s, she set up her own company, publishing everyone from James Ellroy to the Worst Witch series, and changing Britain for the better, book by book . . . Her account [of publishing the first Allison & Busby book, The Spook Who Sat By the Door by Sam Greenlee] tells you much about Busby herself: her persistence; her appreciation of a quiet character who turns out to be radically subversive; her instinct that a thriller could carry a serious political argument as easily as a polemic; and, yes, her bravery * Guardian * Margaret Busby is a legend of British publishing . . . She championed important writers from a wide range of communities at a time no one else was doing so. Her taste was impeccable and she helped widen the scope of literatures available to the nation. She represents the fairness, good taste, and inclusivity that are qualities that ought to be part of the future of British publishing -- Ben Okri A trailblazer as well as an enlightener on all matters African . . . [Part of the Story] provides us with a rich insight into the writings and lives of great historical figures like CRL James and novelists like Roy Heath and several others with Caribbean, Afro-American or African Heritage -- Nuruddin Farah

Author Information

Margaret Busby (Nana Akua Ackon), CBE, Hon. FRSL, is a publisher, editor, writer, broadcaster, activist and mentor. The recipient of numerous awards and honorary doctorates, she has judged prestigious literary prizes, including the Booker, and served on the boards of such organizations as the Royal Literary Fund, Wasafiri magazine, Tomorrow's Warriors, the Africa Centre in London and the Caine Prize. In 2023 she was appointed President of English PEN. As editorial director of Allison & Busby for twenty years, from the late 1960s, Margaret published an international list of more than three hundred notable authors - among them, Buchi Emecheta, Sam Greenlee, Roy Heath, Chester Himes, Jill Murphy and Val Wilmer - and found new audiences for the likes of C. L. R. James and George Lamming. She is the editor of Jane Cortez's collected poems, Firespitter, as well as two groundbreaking anthologies, Daughters of Africa (1992) and its sequel, New Daughters of Africa (2019), which seeded the Margaret Busby New Daughters of Africa Award to fund young women from Africa to study for a master's degree in the UK.

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