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9781609804565

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As a primer on the history and theory of participatory economics, this title is never short on ideas, tracing the development of Michael Albert's theories on self-management, social justice, and internationalism, and their origins in the civil disobedience and consciousness-raising movements of the late '60s and early '70s. As a student at MIT, Albert was inspired by the culture of activism to found Z magazine, ZNet, and the International Organization for a Participatory Society. Some readers may wonder why Wilson (AX: Alternative Manga) and Thompson (the webcomie Green Benches) have chosen Albert's story for treatment as a visual narrative, and that treatment definitely makes some of book's issues more palatable to a wider audience. Artist Thompson is also very adept at marrying the literal and the symbolic to allow Wilson's prose, and therefore Albert's ideas, to resonate with readers. There are moments, though, when the book stalls and readers find themselves wading through lengthy, text-heavy panel sequences featuring shots of Albert discussing a given issue. Still, Thompson and Wilson can be very inventive with their effects. Parecomic is inspired at times, and as a treatise on participatory economics, it's pretty great. As a comic, though, it's just pretty good. <br>-- Publisher's Weekly

"""This graphic novel challenged me to think through new ideas as well as the world we live in. Even better it did so in a way I didn’t find boring or grating to read, much like some of the works referenced within it. Parecomic is a fine example of how far the comic medium has come. It’s no longer ruled by only heroes in tights, it’s now a tool in our greater understanding of the world and further education."" —Graphic Policy ""This is an accessible and serviceable introduction to the principles of parecon and the vision of one of its founders. Recommended for readers interested in alternative economic models and the legacy of the radical 1960s."" —Library Journal ""As a primer on the history and theory of participatory economics, this title is never short on ideas, tracing the development of Michael Albert’s theories on self-management, social justice, and internationalism, and their origins in the civil disobedience and consciousness-raising movements of the late ’60s and early ’70s. As a student at MIT, Albert was inspired by the culture of activism to found Z magazine, ZNet, and the International Organization for a Participatory Society. Some readers may wonder why Wilson (AX: Alternative Manga) and Thompson (the webcomie Green Benches) have chosen Albert’s story for treatment as a visual narrative, and that treatment definitely makes some of book’s issues more palatable to a wider audience. Artist Thompson is also very adept at marrying the literal and the symbolic to allow Wilson’s prose, and therefore Albert’s ideas, to resonate with readers. There are moments, though, when the book stalls and readers find themselves wading through lengthy, text-heavy panel sequences featuring shots of Albert discussing a given issue. Still, Thompson and Wilson can be very inventive with their effects. Parecomic is inspired at times, and as a treatise on participatory economics, it’s pretty great. As a comic, though, it’s just pretty good."" —Publisher's Weekly"

This graphic novel challenged me to think through new ideas as well as the world we live in. Even better it did so in a way I didn't find boring or grating to read, much like some of the works referenced within it. Parecomic is a fine example of how far the comic medium has come. It's no longer ruled by only heroes in tights, it's now a tool in our greater understanding of the world and further education. --Graphic Policy This is an accessible and serviceable introduction to the principles of parecon and the vision of one of its founders. Recommended for readers interested in alternative economic models and the legacy of the radical 1960s. --Library Journal As a primer on the history and theory of participatory economics, this title is never short on ideas, tracing the development of Michael Albert's theories on self-management, social justice, and internationalism, and their origins in the civil disobedience and consciousness-raising movements of the late '60s and early '70s. As a student at MIT, Albert was inspired by the culture of activism to found Z magazine, ZNet, and the International Organization for a Participatory Society. Some readers may wonder why Wilson (AX: Alternative Manga) and Thompson (the webcomie Green Benches) have chosen Albert's story for treatment as a visual narrative, and that treatment definitely makes some of book's issues more palatable to a wider audience. Artist Thompson is also very adept at marrying the literal and the symbolic to allow Wilson's prose, and therefore Albert's ideas, to resonate with readers. There are moments, though, when the book stalls and readers find themselves wading through lengthy, text-heavy panel sequences featuring shots of Albert discussing a given issue. Still, Thompson and Wilson can be very inventive with their effects. Parecomic is inspired at times, and as a treatise on participatory economics, it's pretty great. As a comic, though, it's just pretty good. -- Publish

This graphic novel challenged me to think through new ideas as well as the world we live in. Even better it did so in a way I didn't find boring or grating to read, much like some of the works referenced within it. Parecomic is a fine example of how far the comic medium has come. It's no longer ruled by only heroes in tights, it's now a tool in our greater understanding of the world and further education. --Graphic Policy This is an accessible and serviceable introduction to the principles of parecon and the vision of one of its founders. Recommended for readers interested in alternative economic models and the legacy of the radical 1960s. --Library Journal As a primer on the history and theory of participatory economics, this title is never short on ideas, tracing the development of Michael Albert's theories on self-management, social justice, and internationalism, and their origins in the civil disobedience and consciousness-raising movements of the late '60s and early '70s. As a student at MIT, Albert was inspired by the culture of activism to found Z magazine, ZNet, and the International Organization for a Participatory Society. Some readers may wonder why Wilson (AX: Alternative Manga) and Thompson (the webcomie Green Benches) have chosen Albert's story for treatment as a visual narrative, and that treatment definitely makes some of book's issues more palatable to a wider audience. Artist Thompson is also very adept at marrying the literal and the symbolic to allow Wilson's prose, and therefore Albert's ideas, to resonate with readers. There are moments, though, when the book stalls and readers find themselves wading through lengthy, text-heavy panel sequences featuring shots of Albert discussing a given issue. Still, Thompson and Wilson can be very inventive with their effects. Parecomic is inspired at times, and as a treatise on participatory economics, it's pretty great. As a comic, though, it's just pretty good. -- Publish As a primer on the history and theory of participatory economics, this title is never short on ideas, tracing the development of Michael Albert's theories on self-management, social justice, and internationalism, and their origins in the civil disobedience and consciousness-raising movements of the late '60s and early '70s. As a student at MIT, Albert was inspired by the culture of activism to found Z magazine, ZNet, and the International Organization for a Participatory Society. Some readers may wonder why Wilson (AX: Alternative Manga) and Thompson (the webcomie Green Benches) have chosen Albert's story for treatment as a visual narrative, and that treatment definitely makes some of book's issues more palatable to a wider audience. Artist Thompson is also very adept at marrying the literal and the symbolic to allow Wilson's prose, and therefore Albert's ideas, to resonate with readers. There are moments, though, when the book stalls and readers find themselves wading through lengthy, text-heavy panel sequences featuring shots of Albert discussing a given issue. Still, Thompson and Wilson can be very inventive with their effects. Parecomic is inspired at times, and as a treatise on participatory economics, it's pretty great. As a comic, though, it's just pretty good. -- Publisher's Weekly

Author Information

SEAN MICHAEL WILSON is a comic book writer from Scotland, currently based inJapan, who has written fourteen books of comics and manga. His work includes aversion of Charles Dickens's A Christmas Carol (with artist Mike Collins); Emily Bronte's Wuthering Heights; Oscar Wilde's A Canterville Ghost; The Japanese Drawing Room (with RING horror manga artist Sakura Mizuki); and the documentary bookIraq- Operation Corporate Takeover (with artist Lee O'Connor). CARL THOMPSON is a cartoonist based in Minneapolis. A graduate of the Minneapolis College of Art and Design, he has worked with writer Sean Michael Wilson on the political comic strip ""Green Benches,"" published monthly in the British magazine Blue and Green Tomorrow.

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