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Parabolas of Science Fiction eschews formula, preferring instead to signpost routes through a territory for others to explore the linguistic and formal features and strategies that underpin the dialogical nature of sf. The metaphor of the parabola offers a convenient handle that encapsulates the idea of the borrowings conducted by sf, along with the parable-like connection of sf to the contemporary world. As such, it is a valuable consolidation of several orientations to sf, and perhaps other genre fictions. Chris Pak, Foundation

Parabolas of Science Fiction eschews formula, preferring instead to signpost routes through a territory for others to explore the linguistic and formal features and strategies that underpin the dialogical nature of sf. The metaphor of the parabola offers a convenient handle that encapsulates the idea of the borrowings conducted by sf, along with the parable-like connection of sf to the contemporary world. As such, it is a valuable consolidation of several orientations to sf, and perhaps other genre fictions. --Chris Pak, Foundation

Parabolas of Science Fiction eschews formula, preferring instead to signpost routes through a territory for others to explore the linguistic and formal features and strategies that underpin the dialogical nature of sf. The metaphor of the parabola offers a convenient handle that encapsulates the idea of the borrowings conducted by sf, along with the parable-like connection of sf to the contemporary world. As such, it is a valuable consolidation of several orientations to sf, and perhaps other genre fictions. Chris Pak, Foundation

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BRIAN ATTEBERY is the editor of the Journal of the Fantastic in the Arts and a professor of English at Idaho State University. His books include Decoding Gender in Science Fiction and Strategies of Fantasy. VERONICA HOLLINGER is coeditor of the journal Science Fiction Studies and of The Wesleyan Anthology of Science Fiction. She is a professor of cultural studies at Trent University, Ontario.

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