Overview

A jaw-dropping and unputdownable oral history of the New York Post and the legendary tabloid's cultural impact from the 1970s to today as recounted by the men and women who witnessed it firsthand. By the 1970s, the country's oldest continuously published newspaper had fallen on hard times, just like its nearly bankrupt hometown. When the New York Post was sold to a largely unknown Australian named Rupert Murdoch in 1976, staffers hoped it would be the start of a new golden age for the paper. Now, after the nearly fifty years Murdoch has owned the tabloid, American culture reflects what Murdoch first started in the 1970s: a celebrity-focused, noisy, one-sided media empire that reached its zenith with Fox News. Drawing on extensive interviews with key players and in-depth research, this eye-opening, wildly entertaining oral history shows us how we got to this point. It's a rollicking tale full of bad behavior, inflated egos, and a corporate culture that rewarded skirting the rules and breaking norms. But working there was never boring and now, you can discover the entire remarkable true story of America's favorite tabloid newspaper.

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9781982164836

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Reviews

"""Paper of Wreckage vividly captures the New York Post's bawdy, brash, bare-knuckled journalism. It's The Front Page meets Animal House."" --Jeannette Walls, #1 New York Times bestselling author of The Glass Castle ""An absolutely fun read, a rollicking oral history of the great paper chase of New York tabloid journalism."" --Kai Bird, Pulitzer Prize-winning biographer and the Director of the Leon Levy Center for Biography ""I've started each day for the past four decades with the Post, particularly Page Six --the daily chronicle of the life of New York's bold-faced parade floats. In delightful detail, Paper of Wreckage relives the highlights and lowlights of this incendiary patch of ink and paper. And it reminds me that this was probably as good a way to spend my early mornings, as say, working out."" --Graydon Carter, editor, Air Mail ""The commentary from the candid interviewees, like the Post itself, has it all, from delightfully sublime and critically incisive to completely nonsensical...An interesting and rollicking narrative that will stand as a significant contribution to the history of mass media."" --Kirkus"

"""An absolutely fun read, a rollicking oral history of the great paper chase of New York tabloid journalism."" --Kai Bird, Pulitzer Prize-winning biographer and the Director of the Leon Levy Center for Biography."

Author Information

Susan Mulcahy started at the New York Post as a copygirl while still in college. She worked at ""Page Six"" from 1978 to 1985, including three years as editor, before moving to Newsday to write a rival column. She has also written for The New Yorker and The New York Times. Frank DiGiacomo worked as a ""Page Six"" freelancer in the late 1980s and became an editor of the column from 1991 to 1993. He has since worked as a writer and editor, covering media and the entertainment business, for Vanity Fair, The Hollywood Reporter, and Billboard, where he is currently an executive editor.

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