Full Product Details
Author: Margaretta M. Lovell (Professor, University of California, Berkeley)
Publisher: Pennsylvania State University Press
Imprint: Pennsylvania State University Press
Dimensions:
Width: 22.90cm
, Height: 3.50cm
, Length: 27.90cm
Weight: 2.064kg
ISBN: 9780271092782
ISBN 10: 0271092785
Pages: 352
Publication Date: 25 April 2023
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Out of stock
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Reviews
“Painting the Inhabited Landscape is an American art history that in its depth of research and its absolute assurance in method and goals matches or surpasses anything done by any global modernist art historian today. It is a significant contribution to the study of nineteenth-century world history in visual and material studies, and will be of interest to anyone looking at the formation of global modernism, technologies, and capital markets.” —Bruce Robertson, coauthor of Georgia O’Keeffe: Abstraction “Painting the Inhabited Landscape is by far the most insightful study of Lane and his art to date. Margaretta Lovell's close examination of Lane’s life, art, and the historical contexts within which he worked represents not only a quantum leap for our understanding of Lane and his world but also a new standard of scholarship for the field of American art.” —Alan Wallach, author of Exhibiting Contradiction: Essays on the Art Museum in the United States
Painting the Inhabited Landscape is an American art history that in its depth of research and its absolute assurance in method and goals matches or surpasses anything done by any global modernist art historian today. It is a significant contribution to the study of nineteenth-century world history in visual and material studies, and will be of interest to anyone looking at the formation of global modernism, technologies, and capital markets. -Bruce Robertson, coauthor of Georgia O'Keeffe: Abstraction Painting the Inhabited Landscape is by far the most insightful study of Lane and his art to date. Margaretta Lovell's close examination of Lane's life, art, and the historical contexts within which he worked represents not only a quantum leap for our understanding of Lane and his world, but also a new standard of scholarship for the field of American art. -Alan Wallach, author of Exhibiting Contradiction: Essays on the Art Museum in the United States
Painting the Inhabited Landscape is an American art history that in its depth of research and its absolute assurance in method and goals matches or surpasses anything done by any global modernist art historian today. It is a significant contribution to the study of nineteenth-century world history in visual and material studies, and will be of interest to anyone looking at the formation of global modernism, technologies, and capital markets. -Bruce Robertson, coauthor of Georgia O'Keeffe: Abstraction Painting the Inhabited Landscape is by far the most insightful study of Lane and his art to date. Margaretta Lovell's close examination of Lane's life, art, and the historical contexts within which he worked represents not only a quantum leap for our understanding of Lane and his world but also a new standard of scholarship for the field of American art. -Alan Wallach, author of Exhibiting Contradiction: Essays on the Art Museum in the United States
Author Information
Margaretta Markle Lovell is Jay D. McEvoy, Jr. Professor of American Art History at the University of California, Berkeley. Her many publications include the prizewinning Art in a Season of Revolution: Painters, Artisans, and Patrons in Early America and A Material World: Culture, Society, and the Life of Things in Early Anglo-America, the latter also published by Penn State University Press.
