Overview

From the very beginnings of human existence, the urge to make images of people has been a fundamental part of being. Paintings of people have continued to evolve through to the present time. This book focuses on some of those paintings, and places the idea of looking at painting at the very centre of the process of making paintings. Through close and perceptive visual analysis of specific pictures, the book celebrates the rich diversity of style and form in paintings of the human figure. The works are considered in relation to their artistic and social context and the book includes insightful comparisons between images from diverse cultures and periods. Compares the relationships between looking and making, and explores the interactions between mark, touch and form Explains colour relationships and perceptual effects Discusses the potential for paintings to express a wide range of emotion, belief and experience Extensive drawings and paintings complement the discussion AUTHOR: As a practicing painter and regular tutor, Atul Vohora brings a depth of experience and understanding to his writing. This thoughtful book carries his keenly felt excitement and passionate commitment to painting the human form. Illustrated

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9781847973573

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"""This book could compliment the art criticism or art history sections of an academic library."" -- Library Journal"

This book could compliment the art criticism or art history sections of an academic library. -- Library Journal

This book could compliment the art criticism or art history sections of an academic library. -- Library Journal

Author Information

Atul Vohora is a practising painter and regular tutor in London. Born in Kenya, his paintings are informed by exposure to diverse cultural experiences. Through colour, pattern and line, the work engages with ideas of identity and belonging. He has had articles published in the Guardian and Artists and Illustrators magazine. Painting the Human Figure is his first book.

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